Publikationen
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
Evaluation of Interactive Localization in Virtual Acoustic Scenes.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Promenade. Anekdote, Alltag, Abbild.
Wolke,
Hofheim (Deutschland),
2019.
Personal noise ranking of road traffic: Subjective estimation versus physiological parameters under laboratory conditions.
International journal of hygiene and environmental health. official journal of the German Society of Hygiene, Environmental and Public Health Sciences,
210
(2):
pp. 97-105,
02
2007.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Embodied Generative Music Projektposter (englisch).
Poster at Art in Motion" Konferenz in Kunstuniversität Graz (Österreich)",
Institut 5 Musikpädagogik,
University of Music and Performing Arts Graz (Austria),
2008.
FWF-Projekt Zwischenbericht 2008.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2009.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Improved localization in the median plane with cue-preserving headphones.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
FWF-Projekt Zwischenbericht 2007.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Physical modelling enabling enaction: an example.
Poster at NIME 2011 in Oslo (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
2011.
Angular and Radial Directivity Control for Spherical Loudspeaker Arrays.
Technische Universität Graz (Österreich),
Technische Universität Graz (Österreich),
2008.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Waveguides in sonification.
Poster at Sound and Music Computing Conference 2012 in Kopenhagen (Dänemark),
Aalborg University (Dänemark),
Aalborg University (Dänemark),
2012.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Rigid Sphere Microphone Arrays for Spatial Recording and Holography.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2009.
Warping of the Recording Angle in Ambisonics.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
2011.
Publikationsjahr
Editor
Publikationsart
Konferenzband-Beitrag (272)
Zeitschriftenartikel (69)
Buchkapitel (44)
Poster (31)
Buch (14)
Forschungsbericht (12)
Masterarbeit (7)
Doktorarbeit (5)
Sammelwerk (Hg.) (4)
Themenfeld
Computermusik (49)
Embodiment (6)
Interaction Design (37)
Klang und Raum (19)
Live-Elektronik (13)
Psychoakustik (100)
Sonifikation (42)
Spatial Audio (126)
Schlagwort
PATENTSCHRIFT (7)
sonification (6)
Sonification (5)
Audification (2)
climatology (2)
computer music (2)
focus (2)
sound field (2)
ASD (1)
Akustik (1)
Ambisonics (1)
Binaural (1)
E-Sound (1)
Mixer (1)
POINT (1)
Patent (1)
Physical Fitness (1)
Pure Data (1)
Pure data (1)
Sonifikation (1)
Sounddesign (1)
Spatial Audio (1)
Spatialisation (1)
Speech (1)
Teleconferencing (1)
alarm sound (1)
audience (1)
bicycle bell (1)
climate (1)
code (1)
electric power (1)
electricity (1)
fuzz testing (1)
live coding (1)
perception (1)
plausibility (1)
psycho acoustics (1)
readability (1)
recognizability (1)
typicality (1)
unit tests (1)
urgency (1)
usability (1)
warning sound (1)