Publikationen
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
A Simple Model of the Far-Field Directivity of an Open Circular Pipe with a Hot Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Soundtransformations based on the Modulation Power Spectrum.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Detection of Spatial Displacement in Musical Scenes.
(
).
Proc. Forum Acusticum 2011
.
2011.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Multimodal Interaction with Speaker Arrays.
Poster at AERFAI Summer School on Pattern Recogntion in Multimodal Human Computer Interaction in Vigo (Spanien),
Gradient (Spanien),
Gradient (Spanien),
2012.
Multiple exponential sweep method for fast measurement of head-related transfer functions.
Journal of the Audio Engineering Society. audio, acoustics, applications,
55
pp. 623-637,
09
2007.
Zwischenräume - A case study towards an the evaluation of interactive sound installations.
(
).
Proceedings of ICMC|SMC 2014 (ICMC|SMC 2014)
.
2014.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Sound Art – Synthesis Based on Rhythm and Feature Extraction.
(
).
Tagungsband zur 25. Tonmeistertagung 2008
.
2008.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
Freer Than Max - porting FTM to Pure data.
(
).
Proceedings of the LAC 2008 (LAC)
.
2008.
Auditory assistance for timing presentations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Design and Measurement of First-Order, Horizontally Beam-Controlling Loudspeaker Cube.
(
).
144th AES Convention Milan
.
2018.
Directivity Measurements of Low Frequency Sound Field Radiated from an Open Cylindrical Pipe with a Hot Mean Flow.
(
).
Technical Papers, ISNVH (ISNVH)
.
2016.
Creative Evaluation.
(
).
Proceedings of the 2017 Conference on Designing Interactive Systems (Conference on Designing Interactive Systems)
.
2017.
Convected Wave Equation for a Moving Body in an Inhomogeneous Flow.
(
).
Proc ISNVH 2018 (ISNVH 2018)
.
2018.
Effects of interaural time differences in fine structure and envelope on lateral discrimination in electric hearing.
The Journal of the Acoustical Society of America,
120
pp. 2190-2201,
09
2006.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Providing Ground-truth Data for the Nao Robot Platform.
(
).
RoboCup Symposium 2010
.
2010.
Listening to the direct sound of musical instruments in freely adjustable surrounding directions.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Publikationsjahr
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