Publikationen
Evaluation of hear-through sound localization.
(
).
CHI '14 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI 2014)
.
2014.
Experiment on externalization in binaural directional-source auralization.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Perceptual Impact of Gesture Control of Spatialization.
ACM Transactions on Applied Perception,
10
(4):
12
2013.
Multiple exponential sweep method for fast measurement of head-related transfer functions.
Journal of the Audio Engineering Society. audio, acoustics, applications,
55
pp. 623-637,
09
2007.
Sound Art – Synthesis Based on Rhythm and Feature Extraction.
(
).
Tagungsband zur 25. Tonmeistertagung 2008
.
2008.
Zwischenräume - A case study towards an the evaluation of interactive sound installations.
(
).
Proceedings of ICMC|SMC 2014 (ICMC|SMC 2014)
.
2014.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Freer Than Max - porting FTM to Pure data.
(
).
Proceedings of the LAC 2008 (LAC)
.
2008.
Auditory assistance for timing presentations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Design and Measurement of First-Order, Horizontally Beam-Controlling Loudspeaker Cube.
(
).
144th AES Convention Milan
.
2018.
Convected Wave Equation for a Moving Body in an Inhomogeneous Flow.
(
).
Proc ISNVH 2018 (ISNVH 2018)
.
2018.
Directivity Measurements of Low Frequency Sound Field Radiated from an Open Cylindrical Pipe with a Hot Mean Flow.
(
).
Technical Papers, ISNVH (ISNVH)
.
2016.
Creative Evaluation.
(
).
Proceedings of the 2017 Conference on Designing Interactive Systems (Conference on Designing Interactive Systems)
.
2017.
Effects of interaural time differences in fine structure and envelope on lateral discrimination in electric hearing.
The Journal of the Acoustical Society of America,
120
pp. 2190-2201,
09
2006.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Listening to the direct sound of musical instruments in freely adjustable surrounding directions.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Providing Ground-truth Data for the Nao Robot Platform.
(
).
RoboCup Symposium 2010
.
2010.
Media[e]scapes.
Graz architecture magazine. building design, culture art, theory, history, nature practice place, planning technology, media,
5
02
2008.
Algorithmische Komposition im Kontext Neuer Musik.
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2012.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
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