Publikationen
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
International Conference for Live Interfaces Proceedings (International Conference for Live Interfaces)
.
2014.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
Virtuelle 3D Umgebungen als Raum fuer Komposition und Performance.
In
,
Erkundungen
Schott Verlag,
Mainz (Deutschland),
2018.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Artificial Intelligence for Music Composition.
In
,
The Handbook of Artificial Intelligence for Music
Springer,
Springer-Verlag, Berlin, Heidelberg (Deutschland),
2020.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
Exploration of sonification design process through an interdisciplinary workshop.
Journal on multimodal user interfaces,
01
2015.
Augmented Audification Blending between Audification and an Auditory Graph By the examples of noise and ECG data.
Journal on multimodal user interfaces,
01
2015.
A Speech Database for Stress Monitoring in the Cockpit.
Proceedings of the Institution of Mechanical Engineers, Part G: Journal of Aerospace Engineering,
02
2012.
Frequency-dependend amplitude-panning curves.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
De- und Rekonstruktionen von Körper-Klang-Ausdrucksbeziehungen Das “Embodied Generative Music”-Projekt.
(
).
Challenging Music, Dance and Performance. The Electronic Media (Challenging Music, Dance and Performance. The Electronic Media)
.
2009.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Design and Evaluation of a Spherical Segment Array with Double Cone.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Articulation of Climate Scientists vis-à-vis Data Analysis and Sonification.
International journal of human - computer studies,
01
2015.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Promenade. Anekdote, Alltag, Abbild.
Wolke,
Hofheim (Deutschland),
2019.
The effect of monaural masking on instrument identification.
Journal of the Audio Engineering Society. audio, acoustics, applications,
02
2011.
How binaural room impulse responses influence the externalization of speech.
(
).
DAGA 2019 (Forstschritte der Akustik - DAGA 2019)
.
2019.
How level, delay, and spatial separation influence the echo threshold.
(
).
Forstschritte der Akustik - DAGA 2019
.
2019.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Publikationsjahr
Editor
Publikationsart
Themenfeld
Computermusik (2)
Embodiment (1)
Live-Elektronik (2)
Psychoakustik (9)
Sonifikation (4)
Spatial Audio (7)
Status
eingereicht (23)