Publikationen
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Real-Time Calculation of Frequency-Dependent Directivity Indexes in Singing.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Spatial impression and directional resolution in the reproduction of reverberation.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Elevation of Horizontal Phantom Sources.
(
).
Fortschritte der Akustik, DAGA 2014
.
2014.
Perceptual Evaluation of Spatial Resolution in Directivity Patterns.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Localization of Amplitude-Panned Stereophonic Phantom Sources in the Horizontal Plane.
Journal of the Audio Engineering Society. audio, acoustics, applications,
01
2012.
How to make Ambisonics sound good.
(
).
Proceedings of Forum Acusticum (Forum Acusticum)
.
2014.
Producing 3D Audio in Ambisonics.
(
).
Proceedings of AES 57th Conference (AES 57th Conference on The Future of Audio Entertainment Technology)
.
2015.
Extension of the generalized tangent law for multiple loudspeakers.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Localization Using Different Amplitude-Panning Methods in the Frontal Horizontal Plane.
(
).
Proceedings of EAA Joint Symposium on Auralization and Ambisonics (EAA Joint Symposium on Auralization and Ambisonics)
.
2014.
Simple technical prediction of phantom source widening.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Source Width of Frontal Phantom Sources: Perception, Measurement, and Modeling.
Archives of Acoustics,
38
(3):
pp. 311-319,
10
2013.
Simple Reduction of Front-Back Confusion in Static Binaural Rendering.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Perceptual Evaluation of Spatial Resolution in Directivity Patterns 2: coincident source/listener positions.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Phantom Sources using Multiple Loudspeakers in the Horizontal Plane.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2013.
Comprehensive Array Measurements of In-Car Sound Field in Magnitude and Phase for Active Sound Generation and Noise Control.
SAE International journal of passenger cars : Electronic and electrical systems,
7
(2):
01
2014.