Publikationen

Ciciliani, M. Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik. In Hajdu, G. , 10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg HfMT Hamburg, Hamburg (Deutschland), 2015.

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Ciciliani, M. Evaluating a method for the analysis of performance practices in electronic music. ( Sa, A. ). International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces) . 2015.

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Ciciliani, M., Lüneburg, B. Anna & Marie - Two Project Reports. In Ciciliani, M., Lüneburg, B., Pirchner, A. , Ludified The Green Box, Berlin (Deutschland), 2020.

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Elblaus, L., Eckel, G. utruchirp: an impulse response measurement and auralisation tool developed for artistic practice. ( Groß-Vogt, K., Höldrich, R. ). Proceedings of the 15th International Conference on Audio Mostly (Audio Mostly 2020 - a conference on interaction with sound) . 2020.

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Gioti, A. Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques. ( Bown, O., Eigenfeldt, A., Pasquier, P. ). Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018) . 2018.

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Goudarzi, V. Chirping Stars. ( Goudarzi, V., Groß-Vogt, K. ). Proceedings of the International Conference on Auditory Display (Proceedings of the International Conference on Auditory Display) . 2012.

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Gioti, A. From Artificial to Extended Intelligence in Music Composition. Organised Sound, 07 2020.

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Gioti, A. Artificial Intelligence for Music Composition. In Miranda, E. , The Handbook of Artificial Intelligence for Music Springer, Springer-Verlag, Berlin, Heidelberg (Deutschland), 2020.

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Goudarzi, V. ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART. ( Hamburg, U. ). Proceedings of the Sound and Music Computing Conference 2016 . 2016.

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Goudarzi, V., Gioti, A. Collaborative Design Methods towards Evaluation of a Tangible Interface. ( Carvalhais, M., Penha, R. ). Proceedings of ICLI 2018 . 2018.

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Gioti, A. From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy.. ( Ferreira, D., Santana, H., Soveral, I. ). EAW2015: technology as a tool for creating music: proceedings . 2015.

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Plessas, P. Transformed Sound as Personal Construct. Organised Sound, 22 (3): pp. 345-353, 02 2017.

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Plessas, P., Boutard, G. Transmission et Interprétation de l'Instrument Électronique Composé. ( Delisle, J. ). Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale) . 2015.

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