Publikationen
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
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Proceedings of 2017 ICAD
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2017.
Influence of the vocal tract on voice directivity.
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Proceedings of the 23rd International Congress on Acoustics (ICA 2019 Aachen)
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2019.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
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).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
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2019.
3D sound source localization using a spherical microphone array.
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).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
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).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Real-Time Calculation of Frequency-Dependent Directivity Indexes in Singing.
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).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Challenges and New Solutions for Transfer Path Analysis.
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).
Proc. ISMA2008
.
2008.
Practical Implementation of Radial Filters for Ambisonic Recordings.
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).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
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2011.
Time-Domain Translation Operators for the Fast-Multipole-Method.
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).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
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2012.
Herausforderung Transfer Pfad Analyse.
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).
Proc. ATZ / MTZ (ATZ / MTZ Tagung, Stuttgart, Juni 2008)
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2008.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
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).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
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2014.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
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).
Musica Nova VII (Musica Nova VII)
.
2012.
Token of Enunciation in Multimedia Performance.
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).
International Computer Music Conference Proceedings (International Computer Music Conference)
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2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
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).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
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2017.
Towards an Aesthetic of Electronic Music Performance Practice.
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).
ICMC_SMC_2014_Proceedings (SMC/ICMC proceedings 2014)
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2014.
A STANDARD FOR INTERCHANGE OF AMBISONIC SIGNAL SETS.
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).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
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2009.
Musical Experience beyond audible Sound.
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).
ICMC 2012
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2012.
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
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).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Acoustic center and orientation analysis of sound-radiation recorded with a surrounding spherical microphone array.
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).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
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2010.
New Sonification Tools for EEG Data Screening and Monitoring.
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).
Proc ICAD 2007
.
2007.
Improvisation as Epistemic Practice.
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(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
A Framework for the Choreography of Sound.
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).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
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Konferenzband-Beitrag (243)
Themenfeld
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