Publikationen

Eckel, G. Konzertsaal. In Badura, J., Dubach, S., Haarmann, A., Mersch, D., Rey, A., Schenker, C., Toro Pérez, G. , Künstlerische Forschung – Ein Handbuch (pp. 307-310). Diaphanes, Zürich (Schweiz), 2015.

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Eckel, G. Improvisation as Epistemic Practice. ( Frisk, H., Österjö, S. ). (re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation) . 2013.

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Eckel, G., Rumori, M., Pirrò, D., Gonzalez-Arroyo, R. A Framework for the Choreography of Sound. ( Ciglar, M. ). Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference) . 2012.

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Eckel, G., Rumori, M. StiffNeck: The Electroacoustic Music Performance Venue in a Box. ( Georgaki, A. ). Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference) . 2014.

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Frank, M., Sharma-Thiel, G., Zotter, F. What we already know about spatialization with compact spherical arrays as variable-directivity loudspeakers. ( Noisternig, M. ). Proceedings of inSonic2015 (inSonic2015) . 2015.

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Hollerweger, F., Rumori, M. Production and application of room impulse responses for multichannel setups using FLOSS tools. ( Plessas, P., Zmölnig, J. ). Linux Audio Conference 2013 Proceedings (Linux Audio Conference 2013) . 2013.

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Marentakis, G. Detection of Spatial Displacement in Musical Scenes. ( Hammershøi, D. ). Proc. Forum Acusticum 2011 . 2011.

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Marentakis, G., Pirrò, D., Kapeller, R. Zwischenräume - A case study towards an the evaluation of interactive sound installations. ( Computer, M. ). Proceedings of ICMC|SMC 2014 (ICMC|SMC 2014) . 2014.

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Rutz, H., Pirrò, D. Anemone Actiniaria. ( Carvalhais, M., Clifford, A., Rangel, A., Verdicchio, M. ). Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoax) . 2016.

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Rumori, M. Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments. In Wöllner, C. , Body, Sound and Space in Music and Beyond: Multimodal Explorations (pp. 235-256). Routledge, London (Vereinigtes Königreich), 2017.

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Rumori, M., Marentakis, G. Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation. Presence. teleoperators and virtual environments, 26 (2): pp. 111-137, 02 2018.

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Rumori, M. Zuhören, orientieren, flanieren. Explorationen in binauralen Räumen. Poster at 33. Jahrestagung der DGM Musik und Bewegung" in Universität Hamburg (Deutschland)", Deutsche Gesellschaft für Musikpsychologie (Deutschland), Deutsche Gesellschaft für Musikpsychologie (Deutschland), 2017.

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Sharma-Thiel, G., Frank, M., Zotter, F. Towards understanding and verbalizing spatial sound phenomena in electronic music. ( Noisternig, M. ). Proceedings of inSonic2015 (inSonic2015) . 2015.

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Sharma-Thiel, G., Zotter, F., Frank, M. Orchestrating wall reflections in space by icosahedral loudspeaker: findings from first artistic research exploration. ( Georgaki, A. ). Proceedings of ICMC/SMC (ICMC/SMC) . 2014.

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Sharma-Thiel, G. Orchestrating Wall Reflections by Icosahedral Speaker. Poster at ICMC A2014 Athen in Athen (Griechenland), Internationale Computermusic Conference (Griechenland), Internationale Computermusic Conference (Griechenland), 2014.

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Sharma-Thiel, G. Are Loudspeaker Arrays Musical Instruments?. ( Zotter, F. ). Proceedings (ICSA Graz 2017) . 2017.

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Sharma-Thiel, G. {kA} : keine Ahnung von Schwerkraft - Einführung in die Gebäude-Klangkomposition. In Institut für immersive Medien, (. , Jahrbuch Immersive Medien 2014 Schüren Verlag GmbH, Schüren Verlag (Deutschland), 2014.

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Zotter, F., Wendt, F., Sharma-Thiel, G. Sound Sculptures of the IKO, Exciting Wall Reflections. Poster at Klangkunst, Akustische Skulpturen, am Elektronenspeicherring in Berlin (Deutschland), Helmholtz-Zentrum Berlin (Deutschland), Helmholtz-Zentrum Berlin (Deutschland), 2017.

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