Publikationen
Angular and Radial Directivity Control for Spherical Loudspeaker Arrays.
Technische Universität Graz (Österreich),
Technische Universität Graz (Österreich),
2008.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Waveguides in sonification.
Poster at Sound and Music Computing Conference 2012 in Kopenhagen (Dänemark),
Aalborg University (Dänemark),
Aalborg University (Dänemark),
2012.
Design and Evaluation of a Spherical Segment Array with Double Cone.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Warping of the Recording Angle in Ambisonics.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
2011.
EGM-Poster f. Inst.17 (deutsch).
Poster at Fest Ehrenbürgerschaft Dr. Becke in Graz (Österreich),
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2009.
Dimitri Papageorgiou/Interlocking and Scaling.
In
,
Patterns of Intuition
(pp. 111-139).
Springer,
Dordrecht (Niederlande),
2015.
Else. An Artistic Study on Algorithmic Agency in Sound Synthesis Composition.
(
).
Proceedings of the 45th International Computer Music Conference 2019 (45th International Computer Music Conference)
.
2019.
Frequency dependent Signal Correlation in.
(
).
Preprints of the 124th AES Convention (124th AES Convention)
.
2008.
Introduction to Software Framework.
Poster at On the Choreography of Sound in 1700 Institut 17 Elektronische Musik und Akustik,
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2012.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Efficient spatial Ambisonic effects for live audio.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Improving Externalization in Ambisonic Binaural Decoding.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Sonic interaction design: sound, information and experience.
(
).
CHI '08 extended abstracts on Human Factors in Computing Systems (CHI '08)
.
2008.
Binaural Floss – Exploring Media, Immersion, Technology.
(
).
Proceedings of the Linux Audio Conference
.
2017.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
Manipulations improving amplitude panning on small standard loudspeaker arrangements for surround with height.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Design and control of mixed-order spherical loudspeaker arrays.
(
).
Proc. ICMC (International Conference on Computer Music / New York Electronic Music Festival)
.
2019.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Publikationsjahr
Editor
Publikationsart
Konferenzband-Beitrag (271)
Zeitschriftenartikel (74)
Buchkapitel (41)
Poster (36)
Buch (14)
Forschungsbericht (13)
Masterarbeit (9)
Doktorarbeit (5)
Sammelwerk (Hg.) (3)
Themenfeld
Computermusik (46)
Embodiment (6)
Interaction Design (37)
Klang und Raum (16)
Live-Elektronik (11)
Psychoakustik (100)
Sonifikation (43)
Spatial Audio (128)
Schlagwort
PATENTSCHRIFT (7)
sonification (6)
Sonification (5)
Audification (2)
climatology (2)
computer music (2)
focus (2)
sound field (2)
ASD (1)
Akustik (1)
Ambisonics (1)
Beschallung (1)
Binaural (1)
E-Sound (1)
Holophonie (1)
Mixer (1)
POINT (1)
Patent (1)
Periphonie (1)
Physical Fitness (1)
Pure Data (1)
Pure data (1)
Sonifikation (1)
Sounddesign (1)
Spatial Audio (1)
Spatialisation (1)
Speech (1)
Teleconferencing (1)
alarm sound (1)
ambisonic (1)
audience (1)
bicycle bell (1)
climate (1)
code (1)
electric power (1)
electricity (1)
fuzz testing (1)
live coding (1)
perception (1)
plausibility (1)
psycho acoustics (1)
pure data (1)
readability (1)
recognizability (1)
typicality (1)
unit tests (1)
urgency (1)
usability (1)
warning sound (1)