Publikationen
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Improved localization in the median plane with cue-preserving headphones.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Physical modelling enabling enaction: an example.
Poster at NIME 2011 in Oslo (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
2011.
Musical Understanding and Musical Leib.
The British journal of aesthetics,
01
2008.
Waveguides in sonification.
Poster at Sound and Music Computing Conference 2012 in Kopenhagen (Dänemark),
Aalborg University (Dänemark),
Aalborg University (Dänemark),
2012.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Microphone arrays around rigid spheres for spatial recording and holography.
(
).
Fortschritte der Akustik (DAGA 10)
.
2010.
Modal Sound Field Decomposition Applicable for a Limited Range of Directions.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Estimating Uncertainty in Pressure-Based Sound Power Measurements due to Spatial Sampling and Near Fields.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
FWF-Projekt Zwischenbericht 2007.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue.
(
).
Proceedings of the Linux Audio Conference 2012 (Linux Audio Conference 2012)
.
2012.
Free-Field Pressure-Based Sound Power Measurement Procedure with Low Spatial-Sampling- and Near-Field-Induced Uncertainty.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Rigid Sphere Microphone Arrays for Spatial Recording and Holography.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2009.
Angular and Radial Directivity Control for Spherical Loudspeaker Arrays.
Technische Universität Graz (Österreich),
Technische Universität Graz (Österreich),
2008.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Design and Evaluation of a Spherical Segment Array with Double Cone.
(
).
Proc. of the EAA Joint Symposium on Auralization and Ambisonics, Berlin, Germany, 3-5 April 2014
.
2014.
Publikationsjahr
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Konferenzband-Beitrag (268)
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