Publikationen
FWF-Projekt Zwischenbericht 2009.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Design and Evaluation of a Spherical Segment Array with Double Cone.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
pp. 921-927,
11
2014.
Das Institut für Elektronische Musik und Akustik Graz.
Poster at next_generations 4.0 Festival in ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
2011.
Evaluating out-of-head localization of a dry source from the front reproduced with cue-preserving headphones.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Endbericht FWF-Projekt.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2010.
Embodiment", Elektroakustische Musik und Expressivität".
Positionen. Texte zur aktuellen Musik,
02
2010.
An Ambisonics Format for Flexible Playback Layouts.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Modal Sound Field Decomposition Applicable for a Limited Range of Directions.
(
).
Fortschritte der Akustik, AIA-DAGA2013
.
2013.
Estimating Uncertainty in Pressure-Based Sound Power Measurements due to Spatial Sampling and Near Fields.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Microphone arrays around rigid spheres for spatial recording and holography.
(
).
Fortschritte der Akustik (DAGA 10)
.
2010.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Proc. Sound and Music Computing Conference 2012 (Sound and Music Computing Conference 2012)
.
2012.
Ambisonic panning with constant energy constraint.
(
).
Fortschritte der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
IRMA (Interactive Real-time Measurement of Attention). A method for the investigation of audiovisual computer music performances..
(
).
Proceedings of the 2019 International Computer Music Conference
.
2019.
Improved localization in the median plane with cue-preserving headphones.
(
).
DAGA 2018 (44. Jahrestagung für Akustik DAGA)
.
2018.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
FWF-Projekt Zwischenbericht 2007.
[Embodied Generative Music].
University of Music and Performing Arts Graz,
Graz (Austria),
2008.
Physical modelling enabling enaction: an example.
Poster at NIME 2011 in Oslo (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
2011.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Warping of the Recording Angle in Ambisonics.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
2011.
EGM-Poster f. Inst.17 (deutsch).
Poster at Fest Ehrenbürgerschaft Dr. Becke in Graz (Österreich),
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2009.
Frequency dependent Signal Correlation in.
(
).
Preprints of the 124th AES Convention (124th AES Convention)
.
2008.
Introduction to Software Framework.
Poster at On the Choreography of Sound in 1700 Institut 17 Elektronische Musik und Akustik,
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2012.
Enactment in Listening: Intermedial Dance in EGM Sonic Scenarios and the Bodily Grounding of the Listening Experience.
Performance research,
15
(3):
pp. 81-87,
01
2010.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
Publikationsjahr
Editor
Publikationsart
Konferenzband-Beitrag (271)
Zeitschriftenartikel (74)
Buchkapitel (41)
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Buch (14)
Forschungsbericht (13)
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Interaction Design (37)
Klang und Raum (16)
Live-Elektronik (11)
Psychoakustik (100)
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sonification (6)
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climatology (2)
computer music (2)
focus (2)
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