Publikationen
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
Figuration Flaneur"".
In
,
What Can A Body Do? – Praktiken und Figurationen des Körpers in den Kulturwissenschaften
(pp. 67-73).
Campus,
Frankfurt am Main (Deutschland),
2012.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Design and control of mixed-order spherical loudspeaker arrays.
(
).
Proc. ICMC (International Conference on Computer Music / New York Electronic Music Festival)
.
2019.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Promenade. Anekdote, Alltag, Abbild.
Wolke,
Hofheim (Deutschland),
2019.
Robotic Piano Player Making Pianos Talk.
(
).
Creativity rethinks science (Proceedings of SMC 2011 8th Sound and Music Computing Conference)
.
2011.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Promenade. A minimalistic sculptural interface for immersive soundscape presentation.
(
).
Forum Medientechnik 2018 (Forum Medientechnik)
.
2018.
Ear signals are bodily signals: Binaural Audio as a form of engineering at the human body.
(
).
Tagungsband Tonmeistertagung (Tonmeistertagung)
.
2018.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
Umdeuten. Das Phänomen der Sonifikation zwischen Musikgeschichte, Medientechnik und Markt.
In
,
Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation
(pp. 223-242).
transcript,
Bielefeld (Deutschland),
2012.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Personal noise ranking of road traffic: Subjective estimation versus physiological parameters under laboratory conditions.
International journal of hygiene and environmental health. official journal of the German Society of Hygiene, Environmental and Public Health Sciences,
210
(2):
pp. 97-105,
02
2007.
Österreichische Musikzeitschrift.
Österreichische Musikzeitschrift,
pp. 24-40,
03
2009.
Gemeinfreie Gitarren-Aufnahmen in Studioqualität.
Poster at Jahrestagung für Akustik DAGA 2018 München in München (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2018.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
Ereignis. Ephemeres, Flüchtiges.
Wind-Tunnel-Bulletin,
7
02
2018.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
sound plates as piano interface.
(
).
Re-new - IMAC 2011 Proceedings (IMAC 2011)
.
2012.
The CUBEMixer a Performance-, Mixing- and Masteringtool.
(
).
Proceedings of the LAC 2008 (Linux Audio Conference 2008)
.
2008.
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
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