Publikationen
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
A STANDARD FOR INTERCHANGE OF AMBISONIC SIGNAL SETS.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
Emille. the Journal of the Korean Electro-Acoustic Music Society,
02
2018.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Virtuelle 3D-Umgebungen als Raum für Komposition und Performance.
In
,
Erkundungen. Gegenwartsmusik als Forschung und Experiment
Schott,
Mainz (Deutschland),
2019.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Ludified.
The Green Box,
Berlin (Deutschland),
2020.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
International Conference for Live Interfaces Proceedings (International Conference for Live Interfaces)
.
2014.
Designing Audience-Work Relationships.
In
,
Sound Works
Leiden University Press,
Orpheus Institute (Belgien),
2020.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Traffic Noise Annoyance on Roads (TNAR).
(
).
CD ROM
.
2007.
Haben Sie bereits Antworten ?.
HKB Verlag,
Bern (Schweiz),
2009.
Anna & Marie - Two Project Reports.
In
,
Ludified
The Green Box,
Berlin (Deutschland),
2020.
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Virtual 3D Environments as Composition and Performance Spaces.
Journal of New Music Research,
02
2019.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
Surround with Depth on First-Order Beam-Controlling Loudspeakers.
(
).
Proceedings of the 144th AES Convention Milan (144th AES Convention Milan)
.
2018.
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