Publikationen
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources.
(
).
Proc. of the International Conference on Spatial Audio 2011 (International Conference on Spatial Audio 2011)
.
2011.
Time-Domain Translation Operators for the Fast-Multipole-Method.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Herausforderung Transfer Pfad Analyse.
(
).
Proc. ATZ / MTZ (ATZ / MTZ Tagung, Stuttgart, Juni 2008)
.
2008.
Optimised TPA approach for improving interior sound engineering.
(
).
International Styrian Noise, Vibration & Harshness Congress (5th International Styrian Noise, Vibration & Harshness Congress)
.
2008.
Efficient Transfer Path Analysis for Vehicle Sound Engineering.
(
).
Proc. JSAE (JSAE)
.
2008.
Challenges and New Solutions for Transfer Path Analysis.
(
).
Proc. ISMA2008
.
2008.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
Lecture über audiovisuelle Raumkomposition.
Poster at Vortrag an der KHM Köln in KHM Köln (Deutschland),
KHM Köln (Deutschland),
KHM Köln (Deutschland),
2013.
Practical Implementation of Radial Filters for Ambisonic Recordings.
(
).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
.
2011.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Perceptual Sparsity Modeled by Simultaneous Masking.
Poster at TELECOM ParisTech Workshop on Music Signal Processing in Paris (Frankreich),
CNRS (Frankreich),
CNRS (Frankreich),
2008.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
Effiziente und exakte Bestimmung der Übertragungscharakteristiken von Fahrzeugkarosserien.
Automobiltechnische Zeitschrift (ATZ),
pp. 818-825,
03
2009.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Time Domain Fast-Multipole Translation for Ambisonics.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2011.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking.
IEEE transactions on audio, speech and language processing. T-ASL ; a publication of the IEEE Signal Processing Society,
18
(1):
pp. 34-49,
01
2010.
Real-Time Calculation of Frequency-Dependent Directivity Indexes in Singing.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Traffic Noise Annoyance on Roads (TNAR).
(
).
CD ROM
.
2007.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
'Dirty Light': approaching lighting in audio-cisual contexts beyond its material-immanent properties.
(
).
Musica Nova VII (Musica Nova VII)
.
2012.
Publikationsjahr
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