Publikationen
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Instrument identification in a context free monaural masking experiment.
Computer music journal,
02
2012.
Time-Domain Translation Operators for the Fast-Multipole-Method.
(
).
Fortschritter der Akustik - DAGA 2012 (DAGA 2012 Darmstadt)
.
2012.
Herausforderung Transfer Pfad Analyse.
(
).
Proc. ATZ / MTZ (ATZ / MTZ Tagung, Stuttgart, Juni 2008)
.
2008.
Challenges and New Solutions for Transfer Path Analysis.
(
).
Proc. ISMA2008
.
2008.
Practical Implementation of Radial Filters for Ambisonic Recordings.
(
).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
.
2011.
Lecture über audiovisuelle Raumkomposition.
Poster at Vortrag an der KHM Köln in KHM Köln (Deutschland),
KHM Köln (Deutschland),
KHM Köln (Deutschland),
2013.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
Feedback Loop Shaping for Active Noise Control With Constraints of the Worst Case Secondary Paths.
(
).
Proceedings of 6th Congress of the Alps Adria Acoustics Association (6th Congress of the Alps Adria Acoustics Association)
.
2014.
Influence of the vocal tract on voice directivity.
(
).
Proceedings of the 23rd International Congress on Acoustics (ICA 2019 Aachen)
.
2019.
Perceptual Sparsity Modeled by Simultaneous Masking.
Poster at TELECOM ParisTech Workshop on Music Signal Processing in Paris (Frankreich),
CNRS (Frankreich),
CNRS (Frankreich),
2008.
3D sound source localization using a spherical microphone array.
(
).
Proceedings of ICSA 2014 in Erlangen (ICSA 2014 in Erlangen)
.
2014.
DirPat—Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers.
(
).
Proceedings of the 144th AES CONVENTION MILAN (AES 144th Milan)
.
2018.
Sweet area size for the envelopment of arecursive and a non-recursive diffusenessrendering approach.
(
).
Proceedings of 5th International Conference on Spatial Audio ICSA (5th International Conference on Spatial Audio ICSA)
.
2019.
Effiziente und exakte Bestimmung der Übertragungscharakteristiken von Fahrzeugkarosserien.
Automobiltechnische Zeitschrift (ATZ),
pp. 818-825,
03
2009.
Time Domain Fast-Multipole Translation for Ambisonics.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2011.
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking.
IEEE transactions on audio, speech and language processing. T-ASL ; a publication of the IEEE Signal Processing Society,
18
(1):
pp. 34-49,
01
2010.
Real-Time Calculation of Frequency-Dependent Directivity Indexes in Singing.
(
).
Fortschritte der Akustik (DAGA 2019)
.
2019.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Vom Kanon der Verbote und der postmedialen Musik.
Theater heute. die deutsche Theaterzeitschrift,
12
2012.
A STANDARD FOR INTERCHANGE OF AMBISONIC SIGNAL SETS.
(
).
ambisonics.iem.at/symposium2009/proceedings (Ambisonics Symposium Graz)
.
2009.
next generation 4.0 Festival ZKM Karlsruhe.
University of Music and Performing Arts Graz,
Graz (Austria),
2012.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
International Conference for Live Interfaces Proceedings (International Conference for Live Interfaces)
.
2014.
Towards an Aesthetic of Electronic Music Performance Practice.
(
).
ICMC_SMC_2014_Proceedings (SMC/ICMC proceedings 2014)
.
2014.
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