Publikationen
Simple Uncertainty Prediction for Phantom Source Localization.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
Generalized tangent law for horizontal pairwise amplitude panning.
(
).
Proceedings of ICSA 2015 (International Conference on Spatial Audio 2015)
.
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Sound focusing in rooms using an array with controllable directivity.
Poster at 41. Jahrestagung der DEGA in Nürnberg (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2015.
Vorstellung einer Methode zur Analyse von Aufführungspraktiken in der elektronischen Musik.
In
,
10 Years Anniversary of Master Multimedia Composition, HfMT Hamburg
HfMT Hamburg,
Hamburg (Deutschland),
2015.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015).
private publishing,
1700 Institut 17 Elektronische Musik und Akustik,
2015.
Evaluating a method for the analysis of performance practices in electronic music.
(
).
International Conference on Live Interfaces Proceedings (International Conference on Live Interfaces)
.
2015.
Sound Focusing in Rooms Using a Source with Controllable Directivity.
(
).
Fortschritte der Akustik 2015 (41. Jahrestagung für Akustik DAGA)
.
2015.
The Effect of Audiovisual Congruency on Short-Term Memory of Serial Spatial Stimuli: A Pilot Test.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Transmission et Interprétation de l'Instrument Électronique Composé.
(
).
Actes des Journées Informatiques Musicale 2015 (Journées Informatiques Musicale)
.
2015.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
Clemens Gadenstätter/Hidden Grammars.
In
,
Patterns of Intuition
(pp. 85-130).
Springer,
Dordrecht (Niederlande),
2015.
From live to interactive electronics. Symbiosis: a study on sonic human-computer synergy..
(
).
EAW2015: technology as a tool for creating music: proceedings
.
2015.
Effect of augmented audification on perception of higher statistical moments in noise.
Proceedings of DAFX 2015 (DAFX 2015)
.
2015.
Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition.
Springer,
Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)),
2015.
Clemens Nachtmann/Forbidding Harmonies.
In
,
Patterns of Intuition
(pp. 33-57).
Springer,
Springer (Niederlande),
2015.
Djuro Zivkovic/Difference Tones.
In
,
Patterns of Intuition
(pp. 231-255).
Springer,
Dordrecht (Niederlande),
2015.
Auditory graph evolution by the example of spurious correlations.
(
).
Proceedings of the 21st International Conference on Auditory Display
.
2015.
REFLECTIONS ON AN INTERDISCIPLINARY DESIGN PROCESS USING A SONIFICATION FRAMEWORK.
Proceedings ICAD 2015 (Proceedings ICAD 2015)
.
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Die Begegnung mit dem Neuen suchen - 50 Jahre IEM.
In
,
Musikprotokoll
ORF,
Wien (Österreich),
2015.
Augmented Audification Blending between Audification and an Auditory Graph By the examples of noise and ECG data.
Journal on multimodal user interfaces,
01
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
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