Publikationen
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Sound Sculptures of the IKO, Exciting Wall Reflections.
Poster at Klangkunst, Akustische Skulpturen, am Elektronenspeicherring in Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
2017.
A Simple Model of the Far-Field Directivity of an Open Circular Pipe with a Hot Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Zuhören, orientieren, flanieren. Explorationen in binauralen Räumen.
Poster at 33. Jahrestagung der DGM Musik und Bewegung" in Universität Hamburg (Deutschland)",
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
Poster at DAGA 2017 in Christian-Albrechts-Universität zu Kiel (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
2017.
Beat-Aligning Guitar Looper.
Poster at DAFx 17 in Edinburgh (Vereinigtes Königreich),
University of Edinburgh (Vereinigtes Königreich),
University of Edinburgh (Vereinigtes Königreich),
2017.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
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