Publikationen
Exploring the perceptual sweet area in Ambisonics.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Implementation and Evaluation of a Low-cost Head-tracker for Binaural Synthesis.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Aufbau einer Stimulus-Datenbank für Anwendungen in der Virtuellen Akustik.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Binaural Floss – Exploring Media, Immersion, Technology.
(
).
Proceedings of the Linux Audio Conference
.
2017.
Evaluation of an Acoustic Interface for Tremor Analysis.
(
).
Proceedings of the Sound and Music Computing Conference (SMC) (Sound and Music Computing Conference (SMC))
.
2017.
Extension of the generalized tangent law for multiple loudspeakers.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Auditory Distance Control Using a Variable-Directivity Loudspeaker.
Applied Sciences,
02
2017.
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
Poster at DAGA 2017 in Christian-Albrechts-Universität zu Kiel (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
(
).
Proceedings of the ICSA 2017.
(International Conference on Spatial Audio 2017
).
VDT,
Graz (Österreich),
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
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