Publikationen
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Simulation of Room Transfer Functions with Directivity on the Basis of Modes.
(
).
Fortschritte der Akustik - DAGA (DAGA 2017)
.
2017.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Sound Sculptures of the IKO, Exciting Wall Reflections.
Poster at Klangkunst, Akustische Skulpturen, am Elektronenspeicherring in Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
2017.
Zuhören, orientieren, flanieren. Explorationen in binauralen Räumen.
Poster at 33. Jahrestagung der DGM Musik und Bewegung" in Universität Hamburg (Deutschland)",
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Signal-Dependent Encoding for First-Order Ambisonic Microphones.
Fortschritte der Akustik (DAGA 2017)
.
2017.
Creative Evaluation.
(
).
Proceedings of the 2017 Conference on Designing Interactive Systems (Conference on Designing Interactive Systems)
.
2017.
Automatic Mixing for Immersive Teleconferencing Systems.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Anemone Actiniaria.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoax)
.
2016.
Generating consistent exterior vehicle sound from interior sound.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
ENGAGEMENT AND INTERACTION IN PARTICIPATORY SOUND ART.
(
).
Proceedings of the Sound and Music Computing Conference 2016
.
2016.
Efficient spatial Ambisonic effects for live audio.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Auditory object localization of the variable-directivity icosahedral loudspeaker.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
An Interactive Virtual Icosahedral Loudspeaker Array.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Discrimination of Tremor Diseases by Interactive Sonification.
(
).
Proceedings of ISon 2016, 5th Interactive Sonification Workshop
.
2016.
Spatial impression and directional resolution in the reproduction of reverberation.
(
).
Fortschritte der Akustik - DAGA 2016, Aachen (DAGA 2016)
.
2016.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Manipulations improving amplitude panning on small standard loudspeaker arrangements for surround with height.
(
).
Tonmeistertagung 2016 (Tonmeistertagung 2016)
.
2016.
Auditory Perception of Spatial Extent in the Horizontal and Vertical PLane.
(
).
Proceedings DAFX 2016
.
2016.
Exploration of sonification design process through an interdisciplinary workshop.
(
).
Proceedings of the Audio Mostly 2016
.
2016.
Automatic Mixing for Immersive Teleconferencing Systems.
Poster at DAGA 2016 in Aachen (Deutschland),
DEGA (Deutschland),
DEGA (Deutschland),
2016.
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