Publikationen
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
Poster at DAGA 2017 in Christian-Albrechts-Universität zu Kiel (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
2017.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Towards a Boundary Condition for Convective Wave Equation and Sound Diffraction at a Trailing Edge Inside Flow.
Proceedings DAGA 2017 (DAGA 2017)
.
2017.
Amplitude Panning between beamforming-controlled direct and reflected sound.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
Are Loudspeaker Arrays Musical Instruments?.
(
).
Proceedings (ICSA Graz 2017)
.
2017.
Horizonte des Hörens - Betrachtungen zur Akustischen Ökologie und zum Sounddesign.
In
,
Reihe Wissenschaft und Kunst: Transmedialisierung
Universitätsverlag Winter,
Heidelberg (Deutschland),
2017.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Acoustic boundary value problems and their application to partial spherical microphone arrays.
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2017.
Beat-Aligning Guitar Looper.
(
).
Proceedings of the 20th International Conference on Digital Audio Effects (DAFx 17)
.
2017.
Zuhören, orientieren, flanieren. Explorationen in binauralen Räumen.
Poster at 33. Jahrestagung der DGM Musik und Bewegung" in Universität Hamburg (Deutschland)",
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
Deutsche Gesellschaft für Musikpsychologie (Deutschland),
2017.
Sound Sculptures of the IKO, Exciting Wall Reflections.
Poster at Klangkunst, Akustische Skulpturen, am Elektronenspeicherring in Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
Helmholtz-Zentrum Berlin (Deutschland),
2017.
AP 4 - Verwertung von EEK-Forschungsergebnissen zum Aufbau transdisziplinärer Schnittstellen.
[WTZ - Wissenstransferzentrum Süd].
University of Music and Performing Arts Graz,
Graz (Austria),
2017.
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
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