Publikationen
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Extension of the generalized tangent law for multiple loudspeakers.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Comparison of different approaches for calculation of sound radiation from an open pipe with a flow.
(
).
Proceedings ICTCA 2017 (ICTCA 2017)
.
2017.
Auditory Distance Control Using a Variable-Directivity Loudspeaker.
Applied Sciences,
02
2017.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
A Method for Subjective Analysis of Audiovisual Works.
Poster at International Computer Music Conference in Shanghai (China),
Shanghai Conservatory (China),
Shanghai Conservatory (China),
2017.
Composing Interactions.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Horizonte des Hörens - Betrachtungen zur Akustischen Ökologie und zum Sounddesign.
In
,
Reihe Wissenschaft und Kunst: Transmedialisierung
Universitätsverlag Winter,
Heidelberg (Deutschland),
2017.
Comparison of spatial audio rendering systems for ITU BS2051 standard loudspeaker layouts.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
Space and Body in Sound Art: Artistic Explorations in Binaural Audio Augmented Environments.
In
,
Body, Sound and Space in Music and Beyond: Multimodal Explorations
(pp. 235-256).
Routledge,
London (Vereinigtes Königreich),
2017.
Token of Enunciation in Multimedia Performance.
(
).
Korean Electroacoustic Music Society's Annual Conference (Korean Electroacoustic Music Society's Annual Conference)
.
2017.
A Method for Subjective Analysis of Audiovisual Works.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Reflections on the Representation of Women in the International Conferences on Auditory Displays (ICAD).
(
).
Proceedings of 2017 ICAD
.
2017.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
Prediction of the listening area based on the energy vector.
(
).
Proceedings of ICSA 2017 (ICSA 2017)
.
2017.
An Efficient Source-and-Receiver-Directional RIR Measurement Method.
Poster at DAGA 2017 in Christian-Albrechts-Universität zu Kiel (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
Deutsche Gesellschaft für Akutsik (Deutschland),
2017.
Phantom Source Widening by Filtered Sound Objects.
(
).
Proceedings of the AES 142nd Convention (AES 142nd Convention)
.
2017.
(
).
Proceedings of the ICSA 2017.
(International Conference on Spatial Audio 2017
).
VDT,
Graz (Österreich),
2017.
Token of Enunciation in Multimedia Performance.
(
).
International Computer Music Conference Proceedings (International Computer Music Conference)
.
2017.
Are Loudspeaker Arrays Musical Instruments?.
(
).
Proceedings (ICSA Graz 2017)
.
2017.
Converting Hemispherical Microphone Array Recordings.
(
).
Fortschritte der Akustik - DAGA 2017 (DAGA 2017)
.
2017.
Publikationsjahr
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