Publikationen
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Creative Evaluation.
(
).
Proceedings of the 2017 Conference on Designing Interactive Systems (Conference on Designing Interactive Systems)
.
2017.
Top-Down influences in the perception of sound displacement in a musical scene.
ACM Transactions on Applied Perception,
14
(1):
pp. 1-19,
02
2016.
Auditory Perception of Spatial Extent in the Horizontal and Vertical PLane.
(
).
Proceedings DAFX 2016
.
2016.
Zwischenräume - A case study towards an the evaluation of interactive sound installations.
(
).
Proceedings of ICMC|SMC 2014 (ICMC|SMC 2014)
.
2014.
Evaluation of hear-through sound localization.
(
).
CHI '14 Proceedings of the SIGCHI Conference on Human Factors in Computing Systems (CHI 2014)
.
2014.
Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.
Acta acustica united with Acustica. the journal of the European Acoustics Association (EAA) ; international journal on acoustics,
100
(5):
pp. 945-955,
10
2014.
Perceptual Impact of Gesture Control of Spatialization.
ACM Transactions on Applied Perception,
10
(4):
12
2013.
Latency tolerance enhancement in in-ear monitoring systems.
(
).
Proceedings of DAGA 2012 (DAGA)
.
2012.
Multimodal Interaction with Speaker Arrays.
Poster at AERFAI Summer School on Pattern Recogntion in Multimodal Human Computer Interaction in Vigo (Spanien),
Gradient (Spanien),
Gradient (Spanien),
2012.
Exploring Sound and Spatialization Design on Speaker Arrays using Physical Modelling.
(
).
Sound and Music Computing 2012
.
2012.
Interaction of audioviual cues in the perception of sound trajectories.
Poster at International Conference on Music Perception and Cognition 2012 in Thessaloniki (Griechenland),
Aristotle University (Griechenland),
Aristotle University (Griechenland),
2012.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
Phantom Source Widening with Deterministic Frequency Dependent Time Delays.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
A simple technical measure for the perceived source width.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Publikationsjahr
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Themenfeld
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veröffentlicht (12)
in Druck (1)