Publikationen
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
StiffNeck: The Electroacoustic Music Performance Venue in a Box.
(
).
Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference)
.
2014.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
Physical modelling enabling enaction: an example.
(
).
Proceedings of the International Conference on New Interfaces for Musical Expression
.
2011.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking.
IEEE transactions on audio, speech and language processing. T-ASL ; a publication of the IEEE Signal Processing Society,
18
(1):
pp. 34-49,
01
2010.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
Working in the Aesthetic Lab.
(
).
Proceedings of the Sensuous Knowledge Conference Bergen (Sensuous Knowledge Conference Bergen)
.
2009.
Quantum Harmonic Oscillator Sonification.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
Murchison meteorite, 40 years after unprecedented molecular diversity of extraterrestrial organic matter.
Proceedings of the National Academy of Sciences of the United States of America,
03
2009.
Motion-Enabled Live Electronics.
(
).
Proceedings of the 6th Sound and Music Computing Conference SMC 2009 (SMC 2009, Sound and Music Computing Conference, Porto, Portugal)
.
2009.
Perceptual Sparsity Modeled by Simultaneous Masking.
Poster at TELECOM ParisTech Workshop on Music Signal Processing in Paris (Frankreich),
CNRS (Frankreich),
CNRS (Frankreich),
2008.
Sonic interaction design: sound, information and experience.
(
).
CHI '08 extended abstracts on Human Factors in Computing Systems (CHI '08)
.
2008.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Publikationsjahr
Editor
Publikationsart
Themenfeld
Status
veröffentlicht (21)