Publikationen
DA TA.
MER. Paper Kunsthalle,
Gent (Belgien),
2017.
Stop challenging technology! Towards content-based audio production.
(
).
Proceedings of the 2017 ICSA (International Conference on Spatial Audio 2017)
.
2017.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
StiffNeck: The Electroacoustic Music Performance Venue in a Box.
(
).
Proceedings of the International Computer Music Conference 2014 (International Computer Music Conference)
.
2014.
Improvisation as Epistemic Practice.
(
).
(re)thinking improvisation - Artistic explorations and conceptual writing ((re)thinking improvisation)
.
2013.
A Framework for the Choreography of Sound.
(
).
Proceedings of the International Computer Music Conference 2012 (International Computer Music Conference)
.
2012.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Physical modelling enabling enaction: an example.
(
).
Proceedings of the International Conference on New Interfaces for Musical Expression
.
2011.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
Vom Bewohnen der Musik.
Positionen. Texte zur aktuellen Musik,
83
pp. 12-15,
02
2010.
Providing Ground-truth Data for the Nao Robot Platform.
(
).
RoboCup Symposium 2010
.
2010.
Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking.
IEEE transactions on audio, speech and language processing. T-ASL ; a publication of the IEEE Signal Processing Society,
18
(1):
pp. 34-49,
01
2010.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Quantum Harmonic Oscillator Sonification.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
PhysioSonic - movement sonification as auditory feedback.
(
).
Proceedings of the 15th ICAD (ICAD - 15th Int. Conference on Auditory Display)
.
2009.
„Engineer Your Sound“ – Partizipative Technikgestaltung im Klassenzimmer.
Soziale Technik. Zeitschrift für sozial- und umweltverträgliche Technikgestaltung,
pp. 17-19,
06
2009.
On Artistic Research in the Context of the Project Embodied Generative Music.
(
).
Proceedings of the 2009 International Computer Music Conference (International Computer Music Conference)
.
2009.
Working in the Aesthetic Lab.
(
).
Proceedings of the Sensuous Knowledge Conference Bergen (Sensuous Knowledge Conference Bergen)
.
2009.
Murchison meteorite, 40 years after unprecedented molecular diversity of extraterrestrial organic matter.
Proceedings of the National Academy of Sciences of the United States of America,
03
2009.
Motion-Enabled Live Electronics.
(
).
Proceedings of the 6th Sound and Music Computing Conference SMC 2009 (SMC 2009, Sound and Music Computing Conference, Porto, Portugal)
.
2009.
Sonic interaction design: sound, information and experience.
(
).
CHI '08 extended abstracts on Human Factors in Computing Systems (CHI '08)
.
2008.
Perceptual Sparsity Modeled by Simultaneous Masking.
Poster at TELECOM ParisTech Workshop on Music Signal Processing in Paris (Frankreich),
CNRS (Frankreich),
CNRS (Frankreich),
2008.
New Sonification Tools for EEG Data Screening and Monitoring.
(
).
Proc ICAD 2007
.
2007.
Publikationsjahr
Editor
Publikationsart
Themenfeld
Status
veröffentlicht (23)