s3dapc 2019

Fotos | Videos | 1 von 1 |

s3dapc 2019

erstellt am 26. September 2019

Am Donnerstag 26.9.2019, von 16:15 bis 18:30 haben Franz Zotter und Matthias Frank im "TV-Studio" des Instituts für Medientechnologie in Ilmenau die Preisverleihung des 3. Europäischen Studierenden-3D-Audiowettbewerbs (S3DAPC) abgehalten, im Rahmen der Internationalen Konferenz für räumliche Audiotechnik (ICSA). Die nominierten Stücke wurden von einer 15-köpfigen Jury aus 8 verschiedenen Ländern ausgewählt aus insgesamt 33 Einsendungen aus 11 verschiedenen Ländern, von den Autor_innen eingeführt und in der Preisverleihungsveranstaltung vorgespielt. Dazu haben die Organisatoren vor Ort eine großartige 3D-Audioanlage aufgebaut und mit uns gemeinsam bespielt.


Mehr Information findet sich auf der Website
https://vdt-icsa.de/competition/
und im folgenden, englischen Text:

The European Student 3D Audio Production Competition took place the third time, this year in Ilmenau, Germany, at ICSA vdt-icsa.de, it called for pieces in 5th order Ambisonics earlier this year, with the submission categories
1 contemporary / computer music
2 audio drama / documentary / soundscapes
3 music recording / studio production.
A jury of 15 experts from 8 different countries evaluated the submissions, yielding 3 nominees for gold-silver-bronze in each category. In total 33 submissions were handed in, with authors/composers from 8 different countries. In detail the number of submissions per country were
11 Germany
4  UK
4  Italy
4  Austria
2  Lithuania
2  Norway
2  United States
2  Turkey
1  Canada
1  Poland
and the 15 members were
6 Germany
2 Poland
2 Austria
1 Canada
1 Turkey
1 Great Britain
1 Lithuania.

Sponsors were
-Sennheiser (AMBEO VR mic, Gold award in category 1)
-Zylia (ZM-1, Gold award in category 2)
-Flux (Flux Spat Revolution VST plugin in category 3)
-forum ircam (1-year forum ircam premium licenses for silver winners)
-HARPEX (plugin license for silver and bronze winners)
-iem (iem head tracker for bronze winners)
so actually also from 5 different countries.

Playback was done on a 31 channel system with 4 additional powerful subs. The hall had seats for about 80 listeners.
The event took 2.5 hours and all the pieces were presented by the authors and then listened to together, and after that, both selected critical and nice comments of all the judges were read out by representing jury members.

The awards were:

1) Contemporary Music / Computer Music
- Gold went to Mads Kjeldgaard (NOR) for his submission
I solens flint 1000 floder
- Silver went to Matas Šablauskis (LTU) for his submission
n
- Bronze went to James Wenlock (USA) for his submission
Three Changes

2)  Audio Drama / Documentary / Soundscapes
- Gold went to Katarzyna Sochaczewska (POL) for her submission
Posth.polis
- Silver went to Marcel Remy, Tobias Kurzweg, Leon Hofmann, Daniela Rieger, Jonas Kieser, Jona Eisele, Bastian Kilper (GER) for their submission
Der Stille Klang
- Bronze went to Johannes Ott (GER) for his submission
The Bell Sounds, Yet The Sound Bells

3) Music Recording / Studio Production
- Silver went to Balthasar Effmert (GER) for his submission
Ensemble Mini: Spatial Prokofiev No.5
- Bronze went to Yannik Weber (GER) fpr his submission
Change The World
- Bronze went to Stefanos Ioannou and Jasper Klein (GER) for their submission
Du Hirte Israels

The reviewers decided to omit gold in the third category, which deserves some explanation:
This category is naturally most influenced by well-proven workflows, highest demands on audio quality and highest expectation, most of which targeting stereo and channel-based media, which are typically great in studio and home environments.
However, this does not always automatically imply that playback will supply an entire, large audience. As a conclusion, the environment in the category is still challenging in terms of establishing what could be seen as missing advancement in 3D audio technology. The more so, there is a great potential in challenging established workflows and expectations, which the reviewers and the organizers of the competition would love to see promoted: Please feel encouraged to do so, to think new, and to think big in terms of audience size!

Despite this statement, which could be seen as critical, actually all of the 9 nominated submissions are great pieces of work and there is the urgent desire to make them available for listening online for a greater audience. We are currently searching for solutions to make this happen.

There was a lot of positive feedback in the event from the audience and we are very grateful for the sponsors, who are all top notch in advancing the technology in 3D audio.

Thanks to all who contributed, and there were really many!

Franz Zotter,
Matthias Frank



    Kommentare:

    Kommentar verfassen:

    * - Pflichtfeld

    *

    *



    *
    *


    Weitere Artikel:

    19.09.2022

    50 Jahre interuniversitäres Studium ET-TI

    Am 27.10.2022 feiern die Technische Universität Graz (TU Graz) ...


    19.09.2022

    signale graz 10111 - 50 Jahre Studium Elektrotechnik-Toningenieur

    27.10.2022, 20Uhr MUMUTH György Ligeti Saal Arbeiten von Peter Ablinger, Natasha Barrett, Joseph...


    19.07.2022

    Vienna MIR Pro 3D

    3D-Audio Nachhall echter Säle und Räume, die Frucht einer gelungenen Forschungszusammenarbeit...


    02.07.2022

    Klangnetze

    Wir laden Sie recht herzlich zur den Eröffnungen der Klanginstallation"Klangnetze"!- Sa,...


    14.07.2022

    utrumque

    “work”Installation with interventionsFORUM STADTPARKTHURSDAY, 14 JUL 202218:00 - 21:00 with duo...


    05.07.2022

    Online Präsentation von Konzepten und Arbeiten

    Herzliche Einladung zu einer Präsentation von Konzepten und Arbeiten aus den Lehrveranstaltungen...


    01.07.2022

    Herzlichen Glückwunsch zur Promotion

    Das IEM gratuliert recht herzlich zur Promotion von Marian Weger zum Dr. phil.


    18.06.2022

    Wiener Festwochen

    Gerriet K. Sharma wurde eingeladen, ein IKO-Set aus seinem am IEM entwickelten Repertoire bei...


    10.06.2022

    Die Kunstuniversität Graz trauert um Heinz Hönig

    Der der Gründer und erste langjährige Vorstand des IEM em. o.HProf. DI Heinz Hönig ist im 93....


    29.06.2022

    Open CUBE - Ensemble Konzert

    Mittwoch, 29. Juni 2022 um 19:00 Ensemble Konzert Winfried Ritsch Instrumentalmusik and...


    27.06.2022

    junge signale graz

    27.06.2022 im MUMUTH, drei Konzertblöcke um 17:00, 18:30 und 20:00. Davor, dazwischen und danach...


    25.05.2022

    Open CUBE - James Dooley

    Mittwoch 25. Mai um 18:00 3(100110011)=4(GRAZ)James Dooley, Composer and Performer Programme...


    18.05.2022

    CUBE Lecture am 18.5. um 11:00 mit Peter Androsch

    CUBE Lecture am Mittwoch, 18.05., 11h -13h im CUBE mit Peter AndroschDer Komponist, Musiker und...


    11.05.2022

    Klingt gut! Virtuelle Akustik und Raumklang

    Vortrag von Robert Höldrich im Rahmen der Reihe Facetten der Physik am Mittwoch, 11. Mai 2022,...


    09.05.2022

    signale graz Soirée

    signale graz Soirée mit Univ.Prof.in Dr.in Sarah Weiss (KUG-Institut für Ethnomusikologie) und...


    03.05.2022

    CUBE Lecture - Craig Vear

    Dienstag, 03.05.2022, 13:00 CUBECUBE Lecture - DigiScoremit Craig Vear von der De Montfort...


    08.04.2022

    CUBE Lecture - James Dooley

    Freitag 8.4. von 10:00 - 11:30 CUBE Lecture -  Exploring music interaction design with the...


    05.04.2022

    Benefizkonzert "Sonnenblumen aus dem IEM"

    DI 05.04.2022, 19.00 Uhr  Benefizkonzert "Sonnenblumen aus dem IEM"
CUBE...


    21.03.2022

    signale graz 10110

    Antrittskonzert MARKO CICILIANI 21.3.2022, Konzertbeginn: 19h30 im MUMUTH GRAZ...


    05.03.2022

    DACA March 5th

    Data Art for Climate Action (DACA) is a dual-hub conference (physical events at two locations that...