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Review of Hearing Southeast Asia: Sounds of Hierarchy and Power in Context edited by Nathan Porath. Copenhagen: Nordic Institute of Asian Studies – NIAS, University of Copenhagen, NIAS Press, 2019
| Publication ID | 82255 |
| ISSN ISBN | 0740-1558 |
| Publisher Month | 01 |
| Status | in press |
| Publication Reference | journal article |
| Year of Publication | 2021 |
| Authors |
Quantitative Approaches to the Analysis of Central Javanese Pathet: First Steps
| Publication ID | 82252 |
| Edition title | Proceedings from the Inaugural Meeting of the ICTM SoMoS Study Group September 2020 (Inaugural Meeting of the ICTM SoMoS Study Group September 2020, online (Graz, Austria and Stockholm, Sweden).) |
| Publisher Month | 01 |
| Publisher Name | ICTM |
| Publisher Location | ICTM (Slowenien) |
| Note | procedure: peer-reviewed |
| Status | submitted |
| Publication Type | mixed form |
| Publication Reference | proceeding |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Perceptions of collaboration in Austrian whole class ensembles – A qualitative study of four music teachers
| Publication ID | 79211 |
| Volume | 23 |
| Page from - to | 45-59 |
| Publisher Month | 01 |
| Status | published |
| Publication Reference | journal article |
| Year of Publication | 2021 |
| Authors |
Musikanalyse und Visualität
| Publication ID | 82241 |
| Edition title | Handbuch Musikalische Analyse |
| Publisher Month | 01 |
| Publisher Name | Metzler |
| Publisher Location | Stuttgart (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | submitted |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Review of lieder.net and other digital resources for lied performance and scholarship. For Nineteenth-Century Music Review.
| Publication ID | 82161 |
| Publisher Month | 01 |
| Status | in press |
| Publication Reference | journal article |
| Year of Publication | 2021 |
| Authors |
The Nineteenth Century
| Publication ID | 82083 |
| Abstract | Music seems to touch human beings more immediately than any other art form; yet it can be an elaborate medium steeped in complex thought. The paradox of this “immediate medium” was pursued in nineteenth-century philosophy’s significant encounters with music. Giacomo Leopardi (1798–1837) addressed music’s immediacy through sound, suggesting that if music is a sonic bodily practice, sensualism is an adequate philosophy of listening. Søren Kierkegaard (1813–55) dismantled that recommendation, paving the way to account for the intellectual dimensions of music, including the key issue of its temporality. Friedrich Nietzsche (1844–1900) moved from considering psychological time to historical time: music creates meaning by absorbing the complementary elements of word and gesture over time. Of course, intriguing philosophies of music may not be all there is to the nineteenth century. Did music in that era acquire a capacity to articulate philosophical insight, as some have said? That argument is still open. |
| Edition title | The Oxford Handbook of Western Music and Philosophy |
| ISSN ISBN | 9780195341867 |
| Page from - to | 207-224 |
| Publisher Month | 01 |
| Publisher Name | Oxford University Press |
| Publisher Location | Oxford (Vereinigtes Königreich) |
| Note | procedure: peer-reviewed |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors | |
| Keywords | medium, sound, matter, sensualism, temporality, meaning, body, gesture, word |
Prophetie und ,Weithörigkeit‘ bei Arnold Schönberg: Spirituelle Dimensionen von musikalischem Raum und Zusammenhang
| Publication ID | 82232 |
| Edition title | Energie! Kräftespiele in den Künsten |
| Page from - to | 185-215 |
| Publisher Month | 01 |
| Publisher Name | Königshausen & Neumann |
| Publisher Location | Würzburg (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | in press |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors | |
| Keywords | Theorie der Kräfte, Tonalität, Esoterik |
Apparently irregular‘ – The relationship between freedom and form in piano improvisation in the early 19th century
| Publication ID | 82231 |
| Edition title | outledge Handbook of Philosophy and Improvisation in the Arts |
| Publisher Month | 01 |
| Publisher Name | Routeledge |
| Publisher Location | New York (Vereinigte Staaten (USA)) |
| Note | procedure: without peer reviewing |
| Status | in press |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Klemens Messerer (1724–1816) und das ‚Concerto in B. pour Trombone. del Giorgio Albrechtsberg.’
| Publication ID | 81978 |
| ISSN ISBN | 0177-5944 |
| Volume | 295 |
| Journal Nr. | 1 |
| Page from - to | 22-26 |
| Publisher Month | 01 |
| Status | published |
| Publication Reference | journal article |
| Year of Publication | 2021 |
| Authors |
...am End wirds schon recht.." Hans moser als Sänger"
| Publication ID | 82306 |
| Edition title | HANS MOSER. WIENER WELTSCHMERZKOMIKER |
| Publisher Month | 01 |
| Publisher Name | verlag filmarchiv austria |
| Publisher Location | Wien (Österreich) |
| Note | procedure: peer-reviewed |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
«... dass ich den text behandelt habe, wie er noch wenig behandelt worden.» (Beethoven über seine Messe in C-Dur) – Paradigmen für eine Musik der Kirche
| Publication ID | 82038 |
| Edition title | Religion - Musik - Macht. Musikalische Dimensionen einer ästhetischen Theologie (TeNOR · Text und Normativität 8) |
| Page from - to | 141-177 |
| Publisher Month | 01 |
| Publisher Name | Schwabe Verlag |
| Publisher Location | Basel (Schweiz) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Energie! Kräftespiele in den Künsten – eine Einführung
| Publication ID | 82234 |
| Edition title | Energie! Kräftespiele in den Künsten |
| Page from - to | 9-21 |
| Publisher Month | 01 |
| Publisher Name | Königshausen & Neumann |
| Publisher Location | Würzburg (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | in press |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Sonic Gendering of Ritual Spaces
| Publication ID | 82251 |
| Abstract | The sound of bells from churches and the adhan from mosques serve similar functions. They call their communities to gather. They remind their members to pray wherever they are. Punctuating the day at regular intervals, they confirm the continuing nature of the community and its quotidian activities, articulating the ways in which the two are mutually constitutive. Although their ubiquity renders them part of the background soundscape wherever they occur, the soundings of bells and adhan actually gender public spaces as male, if one stops to think about it. Whether the listener is aware or not, those sounds invoke memories of the activities of the men who serve as leaders in the religion, as well as the men whose lives are described in scriptures in words that were predominantly recorded by men. If the male gendering of public spaces described above is largely unmarked, when women are (over)heard performing in ritual contexts, their sounds disrupt the otherwise quotidian, (un)marked-as-male-gendered, soundscapes. A brief examination of one kind of culturally and historically distant sounded moment – funerals in mid-twentieth-century, rural Greece – in which women’s soundings temporarily gender the public soundscape as female, prepares the way for our main case-study in which we examine the soundscape of rowzeh – the commemorative mourning ritual performed by Shi’a women for Imam Ḥossein – in twenty-first-century Khorramshahr Iran. We argue that through their performances, women temporarily gender public, usually male-gendered, soundscapes as female. In temporarily gendering a public soundscape as female, however, much more than sound can be conveyed. Resistance, hidden potency, status, or demonstrations of wealth can also be heard in these sonic claimings of public spaces. |
| Edition title | Religious Sounds: Senses, Media and Acoustemology of the Post-Secular |
| Publisher Month | 01 |
| Publisher Name | University of Illinois Press |
| Publisher Location | University of Illinois Press (Vereinigte Staaten (USA)) |
| Note | procedure: peer-reviewed |
| Status | submitted |
| Publication Reference | book chapter |
| Year of Publication | 2021 |
| Authors | |
| Editors |
Kollaborative Reflexion mit Lehrenden der Instrumental- und Gesangspädagogik im Hochschulkontext. Das Wissenstransferprojekt Lehren lernen in der Instrumental- und Gesangspädagogik" an der Kunstuniversität Graz"
| Publication ID | 80350 |
| Edition title | Understanding Musics. Festschrift on the Occasion of Gerd Grupe's 65th Birthday |
| Page from - to | 441-455 |
| Publisher Month | 10 |
| Publisher Name | Shaker |
| Publisher Location | Düren (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Gesangbücher und Gemeindegesang rund um den Stephansdom
| Publication ID | 82034 |
| Edition title | Die Riesenorgel im Wiener Stephansdom |
| Page from - to | 177-187 |
| Publisher Month | 01 |
| Publisher Name | Schnell und Steiner |
| Publisher Location | Regensburg (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Choreomusicology II
| Publication ID | 82212 |
| Edition title | WOM (New Series) |
| Publisher Month | 01 |
| Publisher Name | WOM (New Series) |
| Publisher Location | Göttingen (Deutschland) |
| Status | published |
| Publication Type | first edition |
| Publication Reference | edited book |
| Year of Publication | 2020 |
| Editors |
Art. Martines, Marianna von
| Publication ID | 80224 |
| Edition title | MGG online |
| Publisher Month | 10 |
| Publisher Name | Online |
| Publisher Location | Kassel (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Analyse Neuer Musik
| Publication ID | 63055 |
| Edition title | Handbuch Musikanalyse. Methode und Pluralität |
| Publisher Month | 02 |
| Publisher Name | Bärenreiter/Metzler |
| Publisher Location | Kassel (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | in press |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Maximum mandibular mobility among patients with temporomandibular disorders
| Publication ID | 77626 |
| Publisher Month | 02 |
| Status | in press |
| Publication Reference | journal article |
| Year of Publication | 2020 |
| Authors |
Review of The New Books Network (digital resource), co-authored with Katherine Preston and Alexandra Hui. Journal of the American Musicological Society 73, no. 2 (2020): 427-41.
| Publication ID | 82160 |
| ISSN ISBN | 0003-0139 |
| Publisher Month | 01 |
| Status | published |
| Publication Reference | journal article |
| Year of Publication | 2020 |
| Authors |
The Separation of Music and DAnce in Translocal Contexts
| Publication ID | 82214 |
| Edition title | Choreomusicology II |
| Publisher Month | 01 |
| Publisher Name | WOM (New Series) |
| Publisher Location | Göttingen (Deutschland) |
| Note | procedure: peer-reviewed |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Negotiating Singaporean Identities: Observations from Study at an Academy of Indian Music and Dance Performance.
| Publication ID | 82253 |
| Edition title | Understanding Musics: Festschrift on the Occasion of Gerd Grupe’s 65th Birthday |
| Page from - to | 293-312 |
| Publisher Month | 01 |
| Publisher Name | Shaker |
| Publisher Location | Düren (Deutschland) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors | |
| Keywords | Indian dance, Singapore, identity, postcoloniality |
Ein Rondo für die Harmoniemusik des grünen Bürgercorps in Linz auf einem Hinterglasgemälde von Ignaz Pfeilhauer aus dem Jahr 1796
| Publication ID | 78556 |
| Edition title | Jahrbuch der Gesellschaft für Landeskunde und Denkmalpflege |
| ISSN ISBN | 9783902299697 |
| Page from - to | 289-300 |
| Publisher Month | 05 |
| Publisher Name | Gesellschaft für Landeskunde und Denkmalpflege Oberösterreich |
| Publisher Location | Linz (Österreich) |
| Note | procedure: without peer reviewing |
| Status | published |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors | |
| Keywords | Harmoniemusik Aufführungspraxis |
Fehlerkompetenz im Musikhochschulkontext. Umgang mit Fehlern im Spannungsfeld zwischen Fehlerfreundlichkeit und Perfektionsstreben
| Publication ID | 80288 |
| Edition title | Praxishandbuch die Kunst der Lehre |
| Publisher Month | 10 |
| Publisher Name | Waxmann |
| Publisher Location | Münster (Deutschland) |
| Note | procedure: peer-reviewed |
| Status | in press |
| Publication Reference | book chapter |
| Year of Publication | 2020 |
| Authors | |
| Editors |
Der König hat geweint! - Aspekte des Con Carlos-Stoffes"
| Publication ID | 77174 |
| Publisher Month | 02 |
| Status | published |
| Publication Reference | journal article |
| Year of Publication | 2020 |
| Authors |