Publications
Segment Related Classification for Automatic Genre Detection.
(
).
Fortschritte der Akustik (Jahrestagung für Akustik)
.
2011.
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
VDT, DEGA, EAA (Deutschland),
VDT, DEGA, EAA (Deutschland),
2011.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Kompakte 16-Kanal-Kugellautsprecheranordnung.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
Artistic Research and the Advancement and Appreciation of the Arts at the Kunstuniversität Graz.
In
,
Kunst und Forschung - Können Künstler Forscher sein ? / Art and research - Can artists be researchers ?
(pp. 225-249).
Springer,
Wien (Österreich),
2011.
The IEM Pilot Speech Database - On the Creation of a Speech Database for Stress Monitoring.
[Eurocontrol].
University of Music and Performing Arts Graz,
Graz (Austria),
2011.
Time Domain Fast-Multipole Translation for Ambisonics.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2011.
Das Institut für Elektronische Musik und Akustik Graz.
Poster at next_generations 4.0 Festival in ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
ZKM - Karlsruhe (Deutschland),
2011.
Warping of 3D Ambisonic recordings.
(
).
Proc. 3rd Ambisonics Symposium
.
2011.
Practical Implementation of Radial Filters for Ambisonic Recordings.
(
).
Proc. of the International Conference on Spatial Audio 2011 (Proc. of the International Conference on Spatial Audio 2011)
.
2011.
Hören! Haltung! Körper und Klangkunst.
Kunsttexte.de [Elektronische Ressource]. kritische Texte und Bilder zur Geschichte der Kunst,
02
2011.
Physical modelling enabling enaction: an example.
(
).
Proceedings of the International Conference on New Interfaces for Musical Expression
.
2011.
The effect of monaural masking on instrument identification.
Journal of the Audio Engineering Society. audio, acoustics, applications,
02
2011.
Warping of the Recording Angle in Ambisonics.
(
).
Proc. of the International Conference on Spatial Audio 2011
.
2011.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
The Audio Mixer as Creative Tool in Musical Composition and Performance.
(Beiträge zur Elektronischen Musik (BEM),
).
private publishing,
Institut für Elektronische Musik und Akustik (Österreich),
2011.
Current technologies and compositional practices for spatialization: A qualitative and quantitative anal- ysis..
Computer music journal,
35
(1):
pp. 10-27,
02
2011.
Physical modelling enabling enaction: an example.
Poster at NIME 2011 in Oslo (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
University of Oslo and the Norwegian Academy of Music (Norwegen),
2011.
Warping of the Recording Angle in Ambisonics.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
2011.
Similarity-based Sound Source Localization with a Coincident Microphone Array.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
Preserving sound source radiation-characteristics in network-based musical performances.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Phantom Source Widening with Deterministic Frequency Dependent Time Delays.
(
).
DAFx-11 Proceedings (DAFx-11)
.
2011.
(
).
A QUANTITATIVE EVALUATION APPROACH TO SONIFICATIONS.
(International Conference on Auditory Display
).
private publishing,
ICAD (Ungarn),
2011.
Automatic Detection of the Musical Structure within Pieces of Music.
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2011.
Publication Year
Editor
Publication Type
proceeding (267)
journal article (74)
book chapter (44)
poster (37)
book (12)
research report (11)
master's thesis (9)
doctoral thesis (5)
edited book (4)
Research Area
Computer Music (53)
Embodiment (5)
Interaction Design (37)
Live Electronics (12)
Psychoacoustics (102)
Sonification (46)
Space and Sound (21)
Spatial Audio (132)
Keywords
Sonification (6)
PATENTSCHRIFT (5)
sonification (5)
Sonifikation (2)
climatology (2)
computer music (2)
focus (2)
sound field (2)
ASD (1)
Akustik (1)
Ambisonics (1)
Audification (1)
Beschallung (1)
Binaural (1)
E-Sound (1)
Holophonie (1)
Mixer (1)
POINT (1)
Patent (1)
Periphonie (1)
Physical Fitness (1)
Psychoacoustics (1)
Pure Data (1)
Pure data (1)
Sounddesign (1)
Spatial Audio (1)
Spatialisation (1)
Speech (1)
Teleconferencing (1)
aggression (1)
ambisonic (1)
audience (1)
climate (1)
code (1)
electric power (1)
electricity (1)
fuzz testing (1)
live coding (1)
perception (1)
plausibility (1)
poison frogs (1)
psycho acoustics (1)
pure data (1)
readability (1)
territoriality (1)
unit tests (1)
usability (1)