Publications
Online Seashore-Test für musikalische Begabung.
Forum Neue Medien in der Lehre Austria,
pp. 26-27,
08
2020.
From Artificial to Extended Intelligence in Music Composition.
Organised Sound,
07
2020.
Binaural Rendering with Measured Room Responses: First-Order Ambisonic Microphone vs. Dummy Head.
Applied Sciences,
10
(5):
03
2020.
Online und Zusammen.
Forum Neue Medien in der Lehre Austria,
pp. 5-7,
06
2020.
A pilot study on the influence of mouth configuration and torso on singing voice directivity.
Journal of the Acoustical Society of America,
09
2020.
Focused Audification and the optimization of its parameters.
Journal on multimodal user interfaces,
01
2019.
Virtual 3D Environments as Composition and Performance Spaces.
Journal of New Music Research,
02
2019.
Evaluation of Three Auditory-Sculptural Qualities Created by an Icosahedral Loudspeaker.
Applied Sciences,
9
(13):
07
2019.
Binaural rendering of Ambisonic signals by head-related impulse response time alignment and a diffuseness constraint.
Journal of the Acoustical Society of America,
143
(6):
pp. 3616-3627,
06
2018.
Parisflâneur. Artistic Approaches to Binaural Technology and Their Evaluation.
Presence. teleoperators and virtual environments,
26
(2):
pp. 111-137,
02
2018.
Ereignis. Ephemeres, Flüchtiges.
Wind-Tunnel-Bulletin,
7
02
2018.
Gamified Audiovisual Works – Composiiton, Percepiton, Performance.
Emille. the Journal of the Korean Electro-Acoustic Music Society,
02
2018.
Dynamische Richtwirkung von Musikinstrumenten.
Akustik Journal,
02
2018.
Musik jenseits des Klangs.
Österreichische Musikzeitschrift,
4
pp. 24-26,
12
2017.
Perception of Spatial Sound Phenomena Created by the Icosahedral Loudspeaker.
Computer music journal,
44
(1):
pp. 76-88,
04
2017.
Case Study on Ambisonics for Multi-Venue and Multi-Target Concerts and Broadcasts.
Journal of the Audio Engineering Society. audio, acoustics, applications,
65
(9):
pp. 749-756,
12
2017.
Auditory Distance Control Using a Variable-Directivity Loudspeaker.
Applied Sciences,
02
2017.
Transformed Sound as Personal Construct.
Organised Sound,
22
(3):
pp. 345-353,
02
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
Audience Perception of Code.
International Journal of Performance Arts and Digital Media,
12
(2):
pp. 207-212,
02
2016.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
Designing an Interactive Audio Interface for Climate Science.
IEEE multiMedia,
01
2015.
Theory and investigation of acoustic multiple-input multiple-output systems based on spherical arrays in a room.
Journal of the Acoustical Society of America,
138
(5):
pp. 2998-3009,
05
2015.
Investigation of auditory objects caused by directional sound sources in rooms.
Acta physica Polonica,
128
pp. 5-10,
01
2015.
Komponieren als Trial-and-Error-Prozess.
Positionen. Texte zur aktuellen Musik,
02
2014.
Publication Year
Publication Type
journal article (59)
Research Area
Computer Music (9)
Embodiment (1)
Live Electronics (2)
Psychoacoustics (14)
Sonification (2)
Space and Sound (2)
Spatial Audio (20)
Keywords
Ambisonics (1)
audience (1)
code (1)
live coding (1)
perception (1)
psycho acoustics (1)
readability (1)
Status
published (59)