Publications

Nierhaus, G. Editor, Mitautor: Patterns of Intuition: Musical Creativity in the Light of Algorithmic Composition. Springer, Dodrecht, Heidelberg, New York, London (Vereinigte Staaten (USA)), 2015.

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Eckel, G., Ferrein, A., Pirrò, D. DA TA. MER. Paper Kunsthalle, Gent (Belgien), 2017.

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Mayer, D. Fb1 - An interface for single sample feedback and feedforwardin SuperCollider. In Spagnol, S., Valle, A. , Proceedings of the 17thSound and Music Computing Conference (pp. 200-203). Axea sas/SMC Network, Torino (Italien), 2020.

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Mayer, D. PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language. In N., N. , AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound (pp. 287-291). University of Nottingham, Nottingham (Vereinigtes Königreich), 2019.

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Nierhaus, G. On Composers and Computers. In Donin, N. , The Oxford Handbook of the Creative Process in Music Oxford University Press, Oxford (Europäische Union), 2021.

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Zmölnig, J. Audience Perception of Code. International Journal of Performance Arts and Digital Media, 12 (2): pp. 207-212, 02 2016.

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Gioti, A. From Artificial to Extended Intelligence in Music Composition. Organised Sound, 07 2020.

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Mayer, D. Komponieren als Trial-and-Error-Prozess. Positionen. Texte zur aktuellen Musik, 02 2014.

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