Publications
Warping of the Recording Angle in Ambisonics.
Poster at International Conference on Spatial Audio in Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
Kooperation des Verbands Deutscher Tonmeister (VDT) und der deutschen und europäischen Gesellschaften für Akustik (DEGA und EAA) mit dem Erich-Thienhaus-Institut an der Hochschule für Musik Detmold (Deutschland),
2011.
EGM-Poster f. Inst.17 (deutsch).
Poster at Fest Ehrenbürgerschaft Dr. Becke in Graz (Österreich),
Musik und darstellende Kunst Graz,
University of Music and Performing Arts Graz (Austria),
2009.
Constant-Q transform toolbox for music processing.
Poster at Sound and Music Conference in Universat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
Universitat Pompeu Fabra (Spanien),
2010.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Introduction to Software Framework.
Poster at On the Choreography of Sound in 1700 Institut 17 Elektronische Musik und Akustik,
Institut 17 Elektronische Musik und Akustik,
University of Music and Performing Arts Graz (Austria),
2012.
Recognizability and Perceived Urgency of Bicycle Bells.
(
).
International Conference on Auditory Display (ICAD) (International Conference on Auditory Display (ICAD))
.
2018.
Herausforderung Transfer Pfad Analyse.
(
).
Proc. ATZ / MTZ (ATZ / MTZ Tagung, Stuttgart, Juni 2008)
.
2008.
Ambisonic Decoding with and without Mode-Matching: A Case Study Using the Hemisphere.
(
).
Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics (Proceedings of the Int. Symp. on Ambisonics and Spherical Acoustics)
.
2010.
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission.
(
).
Proceedings of the AES 132nd Convention (AES 132nd Convention)
.
2012.
Assessment of Active Noise Cancelling Headphones.
(
).
IEEE Proceedings of the ICCE Berlin 2012 (International Conference on Consumer Electronics, Berlin)
.
2012.
Generating consistent exterior vehicle sound from interior sound.
(
).
Proceedings der Internoise 2016 (Internoise 2016)
.
2016.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
Towards understanding and verbalizing spatial sound phenomena in electronic music.
(
).
Proceedings of inSonic2015 (inSonic2015)
.
2015.
Tangential Intensity Algorithm for Acoustic Centering.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
Investigations on Perceptual Phenomena of the Precedence Effect using a Bessel Sequence.
(
).
Proceedings of the 142nd AES Convention (AES 142nd Convention)
.
2017.
Joint spherical beamforming for the analysis of reflections in rooms.
(
).
Proceedings of the Acoustics 2012 in Hong Kong (Acoustics 2012 Hong Kong)
.
2012.
Transferable Acoustics based on Spatial Analysis and Re-Composition.
(
).
ITG Speech 2010 (9. ITG-Fachtagung)
.
2010.
The Influence of the Floor Reflection on the Perception of Sound Elevation.
(
).
Fortschritte der Akustik
.
2017.
Sounds of simulations: data listening space.
(
).
Proc. International Computer Music Conference 2012 (International Computer Music Conference 2012)
.
2012.
DIY Modifications for Acoustically Transparent Headphones.
(
).
Proceedings of AES 148th Convention (AES 148th Convention)
.
2020.
Psychoacoustical Background of Dynamics Processing in Audio.
26. TonmeisterInnentagung, TMT vom 25. - 28. November 2009, Leipzig, Deutschland (26. TonmeisterInnentagung)
.
2009.
Exploration of 4D-data spaces. Sonification in lattice QCD..
(
).
International Conference on Auditory Display 2008
.
2008.
Neurons: An Interactive Composition Using a Neural Network for Recognition of Playing Techniques.
(
).
Proceedings of the 6th International Workshop on Musical Metacreation (MUME 2018)
.
2018.
A simple technical measure for the perceived source width.
Fortschritte der Akustik - DAGA 2011 (DAGA 2011)
.
2011.
How to make Ambisonics sound good.
(
).
Proceedings of Forum Acusticum (Forum Acusticum)
.
2014.
Publication Year
Editor
Publication Type
proceeding (272)
journal article (69)
book chapter (44)
poster (31)
book (14)
research report (12)
master's thesis (7)
doctoral thesis (5)
edited book (4)
Research Area
Computer Music (49)
Embodiment (6)
Interaction Design (37)
Live Electronics (13)
Psychoacoustics (100)
Sonification (42)
Space and Sound (19)
Spatial Audio (126)
Keywords
PATENTSCHRIFT (7)
sonification (6)
Sonification (5)
Audification (2)
climatology (2)
computer music (2)
focus (2)
sound field (2)
ASD (1)
Akustik (1)
Ambisonics (1)
Binaural (1)
E-Sound (1)
Mixer (1)
POINT (1)
Patent (1)
Physical Fitness (1)
Pure Data (1)
Pure data (1)
Sonifikation (1)
Sounddesign (1)
Spatial Audio (1)
Spatialisation (1)
Speech (1)
Teleconferencing (1)
alarm sound (1)
audience (1)
bicycle bell (1)
climate (1)
code (1)
electric power (1)
electricity (1)
fuzz testing (1)
live coding (1)
perception (1)
plausibility (1)
psycho acoustics (1)
readability (1)
recognizability (1)
typicality (1)
unit tests (1)
urgency (1)
usability (1)
warning sound (1)