Publications
Bart Vanhecke/Straightening the Tower of Pisa.
In
,
Patterns of Intuition
(pp. 257-278).
Springer,
Dordrecht (Niederlande),
2015.
Haben Sie bereits Antworten ?.
HKB Verlag,
Bern (Schweiz),
2009.
Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition.
In
,
Darmstädter Beiträge zur Neuen Musik
(pp. 23-35).
Schott,
Mainz (Deutschland),
2017.
Molding the pop ghost – noise and immersion.
In
,
Noise in and As Music
(pp. 191-208).
University of Huddersfield Press,
University of Huddersfield (Vereinigtes Königreich),
2013.
Virtuelle 3D-Umgebungen als Raum für Komposition und Performance.
In
,
Erkundungen. Gegenwartsmusik als Forschung und Experiment
Schott,
Mainz (Deutschland),
2019.
Audification.
In
,
The Sonification Handbook
(pp. 141-151).
Logos,
Berlin (Deutschland),
2011.
Konzertsaal.
In
,
Künstlerische Forschung – Ein Handbuch
(pp. 307-310).
Diaphanes,
Zürich (Schweiz),
2015.
Embodied Generative Music.
In
,
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity
(pp. 141-151).
Routledge,
New York (Vereinigte Staaten (USA)),
2012.
Spatial Audio Rendering.
In
,
Quality of Experience
Springer,
Heidelberg (Deutschland),
2014.
Sonification and HCI.
In
,
New Directions in Third Wave Human-Computer Interaction: Volume 1 - Technologies
Springer International Publishing,
NY (Vereinigte Staaten (USA)),
2018.
Contextual Inquiry for a Climate Audio Interface.
In
,
Human-Computer Interfaces and Interactivity: Emergent Research and Applications
IGI Global,
Hershey, PA (Vereinigte Staaten (USA)),
2014.
Sonification and particle physics.
In
,
Erstausgabe
Uni-Press Graz,
Karl-Franzens-Universität Graz (Österreich),
2008.
Clemens Gadenstätter/Hidden Grammars.
In
,
Patterns of Intuition
(pp. 85-130).
Springer,
Dordrecht (Niederlande),
2015.
Preface.
In
,
Art in Motion
(pp. 8-9).
Peter Lang,
Frankfurt am Main (Deutschland),
2009.
Artistic Research at the University of Music and Performing Arts Graz - Interim Assessment and Perspectives.
In
,
Artistic Research in Music: Discipline and Resistance
(pp. 254-258).
Leuven University Press,
Leuven (Belgien),
2017.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Horizonte des Hörens - Betrachtungen zur Akustischen Ökologie und zum Sounddesign.
In
,
Transmedialisierung
(pp. 275-294).
Universitätsverlag Winter,
Heidelberg (Deutschland),
2019.
Katharina Klement/Transformation and Morphing.
In
,
Patterns of Intuition
(pp. 141-164).
Springer,
Dordrecht (Niederlande),
2015.
PbindFx: an interface for sequencing effect graphs in the SuperCollider audio programming language.
In
,
AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound
(pp. 287-291).
University of Nottingham,
Nottingham (Vereinigtes Königreich),
2019.
Fb1 - An interface for single sample feedback and feedforwardin SuperCollider.
In
,
Proceedings of the 17thSound and Music Computing Conference
(pp. 200-203).
Axea sas/SMC Network,
Torino (Italien),
2020.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Reconstructing sound source directivity in virtual acoustic environments.
In
,
Principles and Applications of Spatial Hearing
World Scientific Publishing Co Pte Ltd,
Sendai (Japan),
2011.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Clemens Nachtmann/Forbidding Harmonies.
In
,
Patterns of Intuition
(pp. 33-57).
Springer,
Springer (Niederlande),
2015.
Publication Year
Editor
Publication Type
book chapter (36)
Research Area
Computer Music (3)
Embodiment (2)
Psychoacoustics (3)
Sonification (2)
Space and Sound (3)
Spatial Audio (2)
Keywords
Status
published (36)