Publications
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
The Temporality of (un|non)selection.
(
).
Proceedings of the Fifth Conference on Computation, Communication, Aesthetics and X (xCoAx 2017)
.
2017.
Halting Operations for Algorithmic Alignment.
Journal of Science and Technology of the Arts,
9
(3):
pp. 7-20,
02
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
AP 4 - Verwertung von EEK-Forschungsergebnissen zum Aufbau transdisziplinärer Schnittstellen.
[WTZ - Wissenstransferzentrum Süd].
University of Music and Performing Arts Graz,
Graz (Austria),
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Anemone Actiniaria.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoax)
.
2016.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
SysSon - A Framework for Systematic Sonification Design.
Poster at European Geosciences Union 2015 in Wien (Österreich),
EGU (Österreich),
EGU (Österreich),
2015.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
SysSon: A Sonification Platform for Climate Data.
Poster at EGU - European Geosciences Union General Assembly in Austria Center Vienna (Österreich),
EGU - European Geosciences Union (Österreich),
EGU - European Geosciences Union (Österreich),
2014.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Publication Year
Editor
Publication Type
proceeding (9)
book chapter (5)
journal article (4)
poster (4)
doctoral thesis (1)
research report (1)