Publications
Mexikanischer Tumulus.
In
,
Demokratie und Frieden auf der Straße: Comrade Conrade. Ein Kunst-, Forschungs- und Friedensprojekt in Graz 2016 – 2019
(pp. 124-126).
CLIO,
Graz (Österreich),
2019.
Körper.
(
).
xCoAx 2018 - Proceedings of the Sixth Conference on Computation Communication Aesthetics & X (6th Conference on Computation, Communication, Aesthetics & X)
.
2018.
schwärmen + vernetzen. Transdisziplinäres Kunstprojekt.
Lichtungen. Zeitschrift fuer Literatur, Kunst und Zeitkritik ,
pp. 155-170,
02
2017.
AP 4 - Verwertung von EEK-Forschungsergebnissen zum Aufbau transdisziplinärer Schnittstellen.
[WTZ - Wissenstransferzentrum Süd].
University of Music and Performing Arts Graz,
Graz (Austria),
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
(
).
Proceedings of the 14th Sound and Music Computing Conference 2017 (14th Sound & Music Computing Conference (SMC))
.
2017.
A Sonification Interface Unifying Real-Time and Offline Processing.
Poster at Sound and Music Computing Conference (SMC) in Helsinki (Finnland),
Aalto University (Finnland),
Aalto University (Finnland),
2017.
Agency and Algorithms.
Journal of Science and Technology of the Arts,
8
(1):
pp. 73-83,
02
2016.
Marking a Space of Algorithmicity.
(
).
Proceedings of the 4th Conference on Computation, Communication, Aesthetics & X (xCoAx)
.
2016.
Matthias Sköld: A Topography of Personal Preferences.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 209-229).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Elisabeth Harnik: Improvisational Re-Assemblies.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 9-32).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Enabling scientists to sonify their data: General considerations based on a case study with climate scientists.
Displays. technology and applications,
01
2015.
The SysSon Platform: A Computer Music Perspective of Sonification.
(
).
Proceedings of the 21st International Conference on Auditory Display (ICAD 2015) (International Conference on Auditory Display (ICAD 2015))
.
2015.
Eva Reiter: Wire Tapping the Machine.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 59-84).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Orestis Toufektsis: Chords in a Black Box.
In
,
Patterns of Intuition. Musical Creativity in the Light of Algorithmic Composition
(pp. 165-187).
Springer Netherlands,
Dordrecht (Niederlande),
2015.
Sound Processes: A New Computer Music Framework.
(
).
Proceedings ICMC|SMC|2014
.
2014.
Tracing the Compositional Process. Sound art that rewrites its own past: formation, praxis and a computer framework.
University of Plymouth (Vereinigtes Königreich),
University of Plymouth (Vereinigtes Königreich),
2014.
SysSon: A Systematic Design for the Sonification of Radio Occultation Data.
Poster at International Workshop on Occulation for Probing Atmosphere and Climate (OPAC-IROWG) in Schloß Seggau bei Leibnitz (Österreich),
Wegener Center for Climate and Global Change (Österreich),
Wegener Center for Climate and Global Change (Österreich),
2013.
Reproducibility and Random Access in Sound Synthesis.
(
).
Proceedings of the International Computer Music Conference (International Computer Music Conference)
.
2011.
On the Traceability of the Compositional Process.
(
).
Proceedings of the 7th Sound and Music Computing Conference (7th Sound and Music Computing Conference)
.
2010.
Publication Year
Editor
Publication Type
proceeding (7)
book chapter (5)
journal article (3)
poster (2)
doctoral thesis (1)
research report (1)