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Sound Object
| Abstract | The starting point of my inquiry was the desire to fabricate the allusion of immaterial objects through dance movements and sounds. Those objects are understood as sound objects in this text (other notions of sound objects will also be referred to). The affordances of sound objects are meant to be evoked by soundgestural mappings. As a tool for technology-mediated performance, those mappings are expected to meet both performative intentions and affordances of the controller technology. The use of active gestural control in the further described projects aims to create a strong connection between dance movements and the identification of sound sources or general acoustic characteristics. The goal of the current text is to share the details of a subjective artistic process and an evaluation of its methods, as well as artistic adaptations of the relevant theoretic statements. |
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| Betreuer*innen | |
| Jahr | 2023 |
| Art der Arbeit | Bachelorarbeit |
| URL | https://phaidra.kug.ac.at/o:128342 |
| Anmerkung | Klang und Raum |
| Status | abgeschlossen |