A Framework for the Choreography of Sound
A Sub-Band Approach to Modification of Musical Transients
Acoustic Interface for Tremor Analysis
All-Round Ambisonic Panning and Decoding
Ambisonic panning with constant energy constraint
Comprehensive measurements of head influence on a supercardioid microphone
'Dirty Light': Approaching Lighting in Audio-Visual Contexts beyond its Material-Immanent Properties
Energy-Preserving Ambisonic Decoding
Exploring Sound and Spatialisation Design on Speaker Arrays using Physical Modelling
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration
Holofonie für Musikinstrumente
Investigations on cylindrical microphone arrays
Joint spherical beamforming for the analysis of reflections in rooms
Latency Tolerance Enhancement in In-Ear Monitoring Systems
Musical Experience Beyond Audible Sound and its Relevance for Electro-Acoustic Music
Performance Review of an Expert Listening Panel
Phase Unwrapping on the Sphere for Directivity Functions and HRTFs
Pitch Shifting of Audio Signals using the Constant-Q Transform
Predicted Roughness Perception for Simulates Vehicle Interior Noise
Reconstructing sound source directivity in virtual acoustic environments
Sounds of simulations: data listening space
Spherical Slepian functions for approximation of spherical measurement data
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission
SysSon - A systematic procedure to develop sonifications
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue
Time-Domain Translation Operators for the Fast-Multipole-Method
Vom Kanon der Verbote und der Postmedialen Musik – Überlegungen zum Tabu Tonalität
Waveguides for model-based sonification
A quantitative evaluation approach to sonifications
A simple technical measure for the perceived source width
Ambix-Suggesting an Ambisonic Format
Hören! Haltung! Körper und Klangkunst
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter
Kompakte 16-Kanal-Kugellautsprecheranordnung
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources
Physical modelling enabling enaction: an example
Phantom Source Widening with Deterministic Frequency Dependent Time Delays
Practical Implementation of Radial Filters for Ambisonic Recordings
Preserving sound source radiation-characteristics in network-based musical performances
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays
Reconstructing sound source directivity in virtual acoustic environments
Segment Related Classification for Automatic Genre Detection
Tangential Intensity Algorithm for Acoustic Centering
Warping of 3D Ambisonic Recordings
Warping of the Recording Angle in Ambisonics
A metaphoric sonification method - towards the acoustic standard model of particle physics
A sonic time projection chamber, Sonified particle detection at CERN
Ambisonic Decoding with and without Mode-Matching: A Case-Study Using the Hemisphere
Constant-Q transform toolbox for music processing
Evaluation of a Transaural Beamformer
Microphone arrays around rigid spheres for spatial recording and holography
On the Traceability of the Compositional Process
PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy
Providing Ground-truth Data for the Nao Robot Platform
Similarity of musical instrument radiation- patterns in pitch and partial
Spin quartets, sonification of the XY model
The Virtual T-Design Ambisonics-Rig using VBAP
Transferable Acoustics based on Spatial Analysis and Re-Composition
Application of a transaural focused sound reproduction
De- and Reconstructing Bodily Expression in Sound: The “Embodied Generative Music” Project
Engineer Your Sound – Partizipative Technikgestaltung im Klassenzimmer
Motion-Enabled Live Electronics
On Artistic Research in the Context of the Project Embodied Generative Music
Physiosonic - Movement Sonification as Auditory Feedback
Quantum Harmonic Oscillator Sonification
Recruiting and Evaluation Process of an Expert Listening Panel
Sampling Strategies for Acoustic Holography/Holophony on the Sphere
Sonification in computational physics – QCD-audio
Transaural stereo in a beamforming approach
Acoustic Source Localisation using Coincident Microphone Arrays
Challenges and New Solutions for Transfer Path Analysis
Demonstrator for Controllable Focused Sound Source Reproduction
Localization Experiments Using Different 2D Ambisonics Decoders