A Framework for the Choreography of Sound
A Sub-Band Approach to Modification of Musical Transients
Acoustic Interface for Tremor Analysis
All-Round Ambisonic Panning and Decoding
Ambisonic panning with constant energy constraint
BEM 14 - Algorithmische Komposition im Kontexte Neuer Musik
Comprehensive measurements of head influence on a supercardioid microphone
'Dirty Light': Approaching Lighting in Audio-Visual Contexts beyond its Material-Immanent Properties
Energy-Preserving Ambisonic Decoding
Exploring Sound and Spatialisation Design on Speaker Arrays using Physical Modelling
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration
Holofonie für Musikinstrumente
IEM-Report 46/12 next generation 4.0 Festival ZKM Karlsruhe
Investigations on cylindrical microphone arrays
Joint spherical beamforming for the analysis of reflections in rooms
Latency Tolerance Enhancement in In-Ear Monitoring Systems
Musical Experience Beyond Audible Sound and its Relevance for Electro-Acoustic Music
Performance Review of an Expert Listening Panel
Phase Unwrapping on the Sphere for Directivity Functions and HRTFs
Pitch Shifting of Audio Signals using the Constant-Q Transform
Predicted Roughness Perception for Simulates Vehicle Interior Noise
Reconstructing sound source directivity in virtual acoustic environments
Sounds of simulations: data listening space
Spherical Slepian functions for approximation of spherical measurement data
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission
SysSon - A systematic procedure to develop sonifications
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue
Time-Domain Translation Operators for the Fast-Multipole-Method
Vom Kanon der Verbote und der Postmedialen Musik – Überlegungen zum Tabu Tonalität
Waveguides for model-based sonification
A quantitative evaluation approach to sonifications
A simple technical measure for the perceived source width
Ambix-Suggesting an Ambisonic Format
BEM 13 - The Audio Mixer as Creative Tool in Musical Composition and Performance
Hören! Haltung! Körper und Klangkunst
IEM-Report 45/11 The IEM Pilot Speech Database
IEM-Report 44/11 Visueller Klickgenerator für 35 MusikerInnen (Molekularorgel, Puls 4)
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter
Kompakte 16-Kanal-Kugellautsprecheranordnung
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources
Physical modelling enabling enaction: an example
Phantom Source Widening with Deterministic Frequency Dependent Time Delays
Practical Implementation of Radial Filters for Ambisonic Recordings
Preserving sound source radiation-characteristics in network-based musical performances
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays
Reconstructing sound source directivity in virtual acoustic environments
Segment Related Classification for Automatic Genre Detection
Tangential Intensity Algorithm for Acoustic Centering
Warping of 3D Ambisonic Recordings
Warping of the Recording Angle in Ambisonics
A metaphoric sonification method - towards the acoustic standard model of particle physics
A sonic time projection chamber, Sonified particle detection at CERN
Ambisonic Decoding with and without Mode-Matching: A Case-Study Using the Hemisphere
Constant-Q transform toolbox for music processing
Evaluation of a Transaural Beamformer
Flexible and intuitive pointing method for 3D auditory localization experiments
Listening to the Direct Sound of Musical Instruments in Freely Adjustable Surrounding Directions
Microphone arrays around rigid spheres for spatial recording and holography
On the Traceability of the Compositional Process
PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy
Providing Ground-truth Data for the Nao Robot Platform
Similarity of musical instrument radiation- patterns in pitch and partial
Spin quartets, sonification of the XY model
The Virtual T-Design Ambisonics-Rig using VBAP
Training and Guidance Tool for Listening Panels
Transferable Acoustics based on Spatial Analysis and Re-Composition
A Standard for Interchange of Ambisonic Signal Sets
An Ambisonics Format for Flexible Playback Layouts
Application of a transaural focused sound reproduction
De- and Reconstructing Bodily Expression in Sound: The “Embodied Generative Music” Project
Engineer Your Sound – Partizipative Technikgestaltung im Klassenzimmer
IEM - Institute of Electronic Music and Acoustics (Graz)
Klanginstallation Ikosaederlautsprecher
Mehrkanalaustauschformat für 3D Audio Ambisonics
Motion-Enabled Live Electronics
On Artistic Research in the Context of the Project Embodied Generative Music
Physiosonic - Movement Sonification as Auditory Feedback
Quantum Harmonic Oscillator Sonification
Recruiting and Evaluation Process of an Expert Listening Panel
Sampling Strategies for Acoustic Holography/Holophony on the Sphere
Sonification in computational physics – QCD-audio
Text-to-Speech Engine with Austrian German Corpus
Transaural stereo in a beamforming approach
3D sound field rendering under non-idealized loudspeaker arrangements
Acoustic Source Localisation using Coincident Microphone Arrays
Akustische Positionsbestimmung von Mikrofonen
Challenges and New Solutions for Transfer Path Analysis
Demonstrator for Controllable Focused Sound Source Reproduction
Efficient Directivity Pattern Control for Spherical Loudspeaker Arrays
Efficient Transfer Path Analysis for Vehicle Sound Engineering
Exploration of 4D-Data Spaces. Sonification in Lattice QCD
Freer Than Max: porting FTM to Pure data
Herausforderung Transfer Pfad Analyse
HRTF modelling in due consideration variable torso reflections
IEM-Report 43/08 Variable Selbstähnlichkeit
Localization Experiments Using Different 2D Ambisonics Decoders
Optimising NVH in Future Vehicles
Principles and Considerations to Controllable Focused Sound Source Reproduction
Sonic interaction design: sound, information and experience
Sonification and particle physics
Sound Art - Synthesis Based on Rhythm and Feature Extraction
The CUBEMixer a Performance-, Mixing- and Masteringtool
Nonlinear All-Pole and One-Zero Gammatone Filters
Die Klangwelt am Rand der Datenautobahn
Instrumentalmusik und Live-Elektronik
BEM 1 - Enumeration in Musical Theory
BEM 2 - CAD und Modalanalyse im Dienste der Musik
BEM 3 - Der Nachtigallengesang in der Europäischen Kunstmusik
BEM 4 - GRAINY - Granularsynthese in Echtzeit
BEM 5 - Strukturgeneratoren - Algorithmische Komposition in Echtzeit
BEM 6 - Sound Installation Art
BEM 7 - Diminuendo - Über selbstähnliche Verkleinerungen
BEM 8 - Reading Castaneda - Vorwort
BEM 9 - Komponieren im 21. Jahrhundert - Texte 1993-99
BEM 10 - Auf Wohlklangswellen durch der Töne Meer
BEM 11 - Zur Wahrnehmung zeitgenössischer Musik
Orchestral recording revisited
Orchestral recording revisited II
Orchestral recording revisited III
Orchestral recording revisited IV
Vom Punkt- zum Flächenstrahler
IEM-Report 02/98 A nonlinear model of the peripheral auditory system
IEM-Report 03/98 Physiologische und Psychoakustische Grundlagen des räumlichen Hörens
IEM-Report 04/98 Außenohr-Übertragungsfunktion - Messung und Datensätze
IEM-Report 05/98 dB(ELC) - A Proposal To Modify The dB(A)
IEM-Report 06/98 dB(ELC) - Dynamische Phonkurvenanpassung als Erweiterung des dB(A)
IEM-Report 07/98 Modellierung von HRTF - Kurven
IEM-Report 08/99 Bählamms Fest
IEM-Report 09/99 Ambisonic System mit unsymmetrischem Lautsprecher Layout
IEM-Report 10/00 Projekte bei der steirischen Landesausstellung 2000 "comm.gr2000az"
IEM-Report 12/03 IEMLIB für PD
IEM-Report 14/03 Studie zur Steuerung der örtlichen Schallfeldkonzentration
IEM Report 15/03 AMBISONIC 3D-Beschallungssystem 5.Ordnung für PD
IEM-Report 17/03 Wechselwirkung von Lautsprecher-Mikrofon Anordnungen im Fahrzeug
IEM-Report 19/03 Smart Microphone Array
IEM-Report 21/03 Wechselwirkung von Lautsprecher-Mikrofon Anordnungen im Fahrzeug
IEM-Report 23/04 Spatial Auditory User Interfaces Evaluation Test 1 - The Shop
IEM-Report 24/04 Projekt Management
IEM-Report 25/04 Vermessung und Optimierung des Kunstkopfes "Source"
IEM-Report 27/05 missa beati pauperes spiritu
IEM-Report 28/05 3D Sound-Mixer
IEM-Report 29/05 Spatial Auditory User Interfaces Evaluation Test 2 - The Explorer
IEM-Report 30/05 Psychoacoustical Investigations in Binaural Sound Localization
IEM-Report 31/06 Revue instrumentale et électronique
IEM-Report 32/06 3LD Library for Loudspeaker Layout Design
IEM-Report 33/06 Strukturgeneratoren in elektronischer und instrumentaler Komposition
IEM-Report 34/06 Morphing zweier Klänge mit quasi-harmonischen Spektren
IEM-Report 35/06 Virtual Gamelan Graz
IEM-Report 36/06 Stop the Piano
IEM-Report 37/06 Forschungsplattform Flugsimulation - Sound Modul
IEM-Report 39/07 Icosahedral Loudspeaker
IEM-Report 40/07 Modellierung und Vermessung von "In Ear Schallabsorber"
IEM-Report 41/07 Zur Modellierung von Kernmelodien im Rahmen des "Virtual Gamelan Graz (VGG)"
IEM-Report 42/07 Klangmodellierung - ein Beitrag zur musikalischen Akustik
3D Audio Interface for the Blind
3D Audio Interface für Bildschirmbenutzer in Wellenfeldsynthese
3D Auditory Interface for Desktop Applications
3D Binaural Sound Reproduction using a Virtual Ambisonic Approach
96-kHZ-Hörversuche für transiente und stationäre Schalle
A 3D Ambisonic based Binaural Sound Reproduction System
A 3D Real Time Rendering Engine for Binaural Sound Reproduction
A Combined Approach for Broadband Noise Reduction
A Generic, Semantically Based Design Approach For Spatial Auditory Computer Displays
A New Functional Framework for a Sound System for Realtime Flight Simulation
A Parameterized Model of Psychoacoustical Roughness for Objective Vehicle Noise Quality Evaluation
A Sonification Design Space Map
A Spatial Audio Interface for Desktop Applications
An Auditory 3D File Manager Designed from Interaction Patterns
An Introduction to Sonification and its Application to Theoretical Physics
An Objective Model of Localisation in Binaural Sound Reproduction Systems
An Optimized Model for the Objective Assessment of Roughness Sensations in Vehicle Noise
Analyse, Resynthese und Interpolation von KFZ-Innengeräuschen
Analysis, Resynthesis, and Interpolation of the Interior Noise of a Car
Audio-Augmented Reality - ein neues Medium für die Klangkunst
Audio Interface for Immersive 3D-Audio Desktop Applications
Auf den Pfaden des Datenraums Internet
Auf der Suche nach dem Rauschen
Binaurale 3-D Wiedergabe basierend auf dem Kirchhoff-Helmholtz-Integral
Broadband Noise Reduction Based on Spectral Subtraction
Capturing the radiation characteristics of the bonang barung
Chirp-rate estimation for time-frequency reassigned spectrograms
Crosstalk Cancellation for Spherical Loudspeaker Arrays
Der Hof, der Lautsprecher, sein Mikrophon und ihr Klang - Eine Projektbeschreibung
Der IEM CUBE - ein periphones (Re-)Produktionssystem
Der Toningenieur - Eine Grazer Besonderheit
Design Patterns of Auditory Displays
Designing a Generalized Sonification Environment
Distance Coding in 3D Sound Fields
DSP-Implementation eines Kopfpositionsbezogenen binauralen Wiedergabesystems
else if - Live Coding, Strategien später Entscheidung
Enhanced 3D Sound Field Synthesis and Reproduction System by Compensating Interfering Reflections
Entwurf und Optimierung eines auf Ambisonic basierenden binauralen Wiedergabesystems
Frequency Analysis of Non-Stationary Signals Using a Time-Frequency Mapping of the DFT Magnitude
Further investigations on 3D sound fields using distance coding
Hearing Varese`s Poeme Electronique inside a virtual Philips Pavilion
Im Spiegelkabinett - Wirklichkeitskonstruktion in den Medien
Internet Archive for Electronic Music
Internet Archive for Electronic Music IAEM
Internet Archive for Electronic Music IAEM-iARS (Internet Audio Rendering System)
Internet Archive for Electronic Music - internet Audio Rendering System IAEM - iARS
Investigations on control and perception of virtual distance using loudspeakers
Investigations on Distance Coding in 3D Sound Fields
Klangmodellierungsansätze und Ergebnisse für Gamelaninstrumente des lauten Stils
Konzepte zur Schallfeldsynthese und Schallfeldreproduktion
Kopfhörer und Lautsprecherkonzepte für eine virtuelle Akustik
Kopfpositionsbezogene Wiedergabe für Binauralsignale mit Ambisonic
Korrektur der Lautsprecherrichtcharakteristik im Adrienne-Verfahren
Lästigkeitsindex - Psychoakustische Grundlagen des Straßenverkehrslärms
Location Determination of Acoustical Sources using a Microphone Array
Mehrkanalwiedergabesystem für Binauralsignale unter Verwendung des Ambisonic-Ansatzes
Modeling a Spherical Loudspeaker System as Multipole Source
Modeling radiation synthesis with spherical loudspeaker arrays
Multichannel Sound Reproduction System for Binaural Signals - The Ambisonic Approach
Near- and farfield beamforming using spherical loudspeaker arrays
New Sonification Tools for EEG Data Screening and Monitoring
Non-linear Spectral Subtraction with Combined Smoothing Strategies for Broadband Noise Reduction
Nonlinear All-Pole And One-Zero Gammatone Filters
Patching music together - collaborative Live Coding in Pd
Performing Music in three Dimensions
Psychoacoustic Measurement of Roughness for Vehicle Interior Noise
Real-Time Broadband Noise Reduction
Realization of a Vold-Kalman Tracking Filter - A Least Sequares Problem
Room Simulation for Binaural Sound Reproduction using Measured Spatiotemporal Room Impulse Responses
Schallfeldreproduktion durch ein verbessertes Holophonie-Ambisonic System
Simulation des peripheren Gehörs auf einem Multi-DSP TMS320C40 System
Sonification as a Tool to Reconstruct user`s Actions in Unobservable Areas
Sonification as an Interdisciplinary Working Process
Sonification of Lattice Observables Across Phase Transitions
Sonification of Quantum Spectra
Sonifikation: Stärken, Schwächen und Anwendungen
Sonifikationen in der wissenschaftlichen Datananalyse
Sound Engineering based on Source Contributions and Transfer Path Results
Sound-System Design for a Professional Full-Flight Simulator
Sound texture modeling: A survey
Sounds sequential: Sonofication in the Social Sciences
Spannungsfeld Musik und Technik
Subjective Validation of Perception Properties in Binaural Sound Reproduction Systems
The Improved Spectrogram - How to Obtain an Accurate Signal Representation for Sound Resynthesis ?
The Pronouncing Dictionary of Austrian German and the other Major Varieties of German
Time Frequency Analysis with Low Numerical Complexity Using a t-f-Mapping of the DFT Magnitude
Toward a Data Sonification Design Space Map
Traffic Noise Annoyance on Roads (TNAR)
Transfer Path Analysis Experimental Investigations and Modeling
Virtual Audio Reproduction Engine for Spatial Environments