Analysis of Directional Room Impulse Responses (DRIRs)
Evaluierung der Richtungsdetektion mit einem sphärischen Mikrofonarray
A Framework for the Choreography of Sound
A Sub-Band Approach to Modification of Musical Transients
Acoustic Interface for Tremor Analysis
All-Round Ambisonic Panning and Decoding
Ambisonics Binaural Dekoder Implementation als Audio Plug-in mit Headtracking zur Schallfeldrotation
Ambisonic panning with constant energy constraint
Construction and Acoustical Survey of a Double-Cone Spherical Segment Microphone Array
BEM 14 - Algorithmische Komposition im Kontexte Neuer Musik
Comprehensive measurements of head influence on a supercardioid microphone
Detection and restoration of clipping in audio signals
Die Gitarre als MIDI-Controller
'Dirty Light': Approaching Lighting in Audio-Visual Contexts beyond its Material-Immanent Properties
Emulation of Directivity Pattern of Spherical Microphone Arrays
Energy-Preserving Ambisonic Decoding
Exploring Sound and Spatialisation Design on Speaker Arrays using Physical Modelling
Geometric Error Estimation and Compensation in Compact Spherical Loudspeaker Array Calibration
Holofonie für Musikinstrumente
HRTF Individualization by adjustment of Principal Component Weights models
Investigations on cylindrical microphone arrays
Is emotion a construct of sex or motion?
Joint spherical beamforming for the analysis of reflections in rooms
Latency Tolerance Enhancement in In-Ear Monitoring Systems
Microcontrollerboards vs Micrcomputer for use with sensors and actuators in media art
Monster - Ein interaktives Projektions-System für bewegte Objekte bei Tanzperformances
Musical Experience Beyond Audible Sound and its Relevance for Electro-Acoustic Music
New hybrid variants for active noise control (ANC) in headphones
Performance Review of an Expert Listening Panel
Phase Unwrapping on the Sphere for Directivity Functions and HRTFs
Pitch Shifting of Audio Signals using the Constant-Q Transform
Predicted Roughness Perception for Simulates Vehicle Interior Noise
Reconstructing sound source directivity in virtual acoustic environments
Sounds of simulations: data listening space
Spektrogramminversion zur Gewinnung von Ursignalen
Spherical Slepian functions for approximation of spherical measurement data
Subjective Sound Quality Evaluation of a Codec for Digital Wireless Transmission
SysSon - A systematic procedure to develop sonifications
The IEM Demosuite, a large-scale jukebox for the MUMUTH concert venue
The Kinect distance sensor as human-machine-interface in audio-visual art projects
Time-Domain Translation Operators for the Fast-Multipole-Method
Examination of Phantom Sources created by Vertical Loudspeaker Setups
Comparative Ambisonics recordings of first and fourth order with enhanced signal processing
Vom Kanon der Verbote und der Postmedialen Musik – Überlegungen zum Tabu Tonalität
Waveguides for model-based sonification
Wellenklänge - Computermusikinstrument mit interaktiver Wellensimulation und Klangsynthese
A quantitative evaluation approach to sonifications
A simple technical measure for the perceived source width
Adaptive analysis of the secondary path for Active Noise Cancellation
Ambix-Suggesting an Ambisonic Format
BEM 13 - The Audio Mixer as Creative Tool in Musical Composition and Performance
Usability Evaluation of a Transparent Hearing Headset
Evaluation of various Algorithms to detect acoustic Feedback
Hören! Haltung! Körper und Klangkunst
An initial investigation into HRTF adaptation using PCA
IEM-Report 44/11 Visueller Klickgenerator für 35 MusikerInnen (Molekularorgel, Puls 4)
Implementation and evaluation of auditory models for sound localization
Instruktion und Instrument. Musik und Klang im digitalen Zeitalter
Kompakte 16-Kanal-Kugellautsprecheranordnung
Localization of 3D Ambisonic Recordings and Ambisonic Virtual Sources
Modal Analysis of Rigid Microphone Arrays using Boundary Elements
Physical modelling enabling enaction: an example
Phantom Source Widening with Deterministic Frequency Dependent Time Delays
Phase Unwrapping for Spherical Interpolation of Head-Related Transfer Functions
Practical Implementation of Radial Filters for Ambisonic Recordings
Preserving sound source radiation-characteristics in network-based musical performances
Perception and neural representation of suprathreshold signals in the presence of complex maskers
Radiation modes of t-design and extremal-points compact spherical loudspeaker arrays
Reconstructing sound source directivity in virtual acoustic environments
Segment Related Classification for Automatic Genre Detection
Tangential Intensity Algorithm for Acoustic Centering
Warping of 3D Ambisonic Recordings
Warping of the Recording Angle in Ambisonics
A metaphoric sonification method - towards the acoustic standard model of particle physics
A sonic time projection chamber, Sonified particle detection at CERN
Acoustic Monitoring and Data Exploration of the Large Hadron Collider (LHD) at CERN
Ambisonic Decoding with and without Mode-Matching: A Case-Study Using the Hemisphere
Retrieval of "primal signals" of surrounding spherical microphone array recordings
Auswirkung der Abstrahlcharakteristik auf die Klangfarbe von Querflöten und Saxofonen
Constant-Q transform toolbox for music processing
Adaptive Digital Methods for Active Noise Cancellation Headphones
Disembodiment in der Computermusik?
An Investigation of Advanced Cellular Automata Applications in Regard to Musical Structure Genesis
Evaluation of a Transaural Beamformer
Microphone Array on a Spherical Cap for 3-dimensional Recording of the Wave Field
Microphone arrays around rigid spheres for spatial recording and holography
Musikalischer Ausdruck in der Computermusik
On the Traceability of the Compositional Process
PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy
Providing Ground-truth Data for the Nao Robot Platform
Auditory localization model with elevation and correction of ambiguities
Schuhplattler vs. Elektroplattler
Time Domain Fast-Multipole Translation for Ambisonics
Similarity of musical instrument radiation- patterns in pitch and partial
Singing Voice Vibrato: Measurement and Modification
Spin quartets, sonification of the XY model
The audio mixer as creative tool in musical composition and performance
The Virtual T-Design Ambisonics-Rig using VBAP
Transferable Acoustics based on Spatial Analysis and Re-Composition
Untersuchung der Kanaltrennung bei Stereo- und Surroundaufnahmeverfahren
Comparison of stereophonic and ambisonic phantom-sources
Analysis and Re-Synthesis of directional Spatial Impulse Responses
Application of a transaural focused sound reproduction
De- and Reconstructing Bodily Expression in Sound: The “Embodied Generative Music” Project
Engineer Your Sound – Partizipative Technikgestaltung im Klassenzimmer
Motion-Enabled Live Electronics
On Artistic Research in the Context of the Project Embodied Generative Music
Physiosonic - Movement Sonification as Auditory Feedback
Quantum Harmonic Oscillator Sonification
Recruiting and Evaluation Process of an Expert Listening Panel
Sampling Strategies for Acoustic Holography/Holophony on the Sphere
Sound-Source Localisation with Frequency-Warped Head-Related Transfer Functions
Sonification in computational physics – QCD-audio
Transaural stereo in a beamforming approach
Acoustic Centering and Rotational Tracking in Surrounding Spherical Microphone Arrays
Perceptually Informed Organization of Textural Sounds
Acoustic Source Localisation using Coincident Microphone Arrays
Akustische Randwertprobleme in speziellen Geometrien
Challenges and New Solutions for Transfer Path Analysis
Demonstrator for Controllable Focused Sound Source Reproduction
The temporal character of timbre
Development and Evaluation of Source Localisation Algorithms for Coincident Microphone Arrays
Investigations on a Robust Feature Set for Classification of Speech under Stress
IEM-Report 43/08 Variable Selbstähnlichkeit
Informing musical structure through bodily knowledge - Composing with physical models
Classification of artefacts in analog broadcast
Spherical microphone array for capturing sound-radiation from musical instruments
Localization Experiments Using Different 2D Ambisonics Decoders
Perceptual comparison of sound field reproduction methods with different spatial bandwidth
Socio-psychological cognition of spatial sound and its application in interactive scenarios
Sonic interaction design: sound, information and experience
Sonification and particle physics
A full-body gesture recognition system and its integration in the composition "3rd-Pole"
Investigation of psychoacoustic principels for automatic mixdown algorithms
A head position related binaural sound reproduction system
Stereo Enhancement for Miniature Line Arrays
Sound Source Directivity in Binaural Synthesis and Room Simulation
Spatialisation von Klangsignalen
Acoustic Sound Source Localization
Der Klang, der mein Leben veränderte
Akustische Kommunikation bei Vögeln
Approximation der menschlichen Lautheitsempfindung
Index of annoyance for road traffic noise
Erstellung einer Klangdatenbank zur Lautheitsmessung
Wahrnehmbarkeit von Luftschall im Frequenzbereich zwischen 20kHz und 40kHz
Aufnahme und Parameteranalyse von PKW Innengeräuschen
Modellierung von Produktakzeptanz durch lebensmitteltechnologische und akustische Parameter
Sonification of Simulations in Computational Physics
Investigation of methods of acoustical description for domestic appliances
Österreichisches Aussprachewörterbuch
Tonhoehenwahrnehmung bei Lamellophonen
Investigations on a Robust Feature Set for Classification of Speech under Stress
Varietäten des Österreichischen Deutsch: Standardaussprache und Varianten der Standardaussprache
Analysis and Synthesis of Sound-Radiation with Spherical Arrays